The hand of the reaper,
Cuts the ears that are hoary:
But the voice of the weeper,
Wails manhood in glory.—Scott.
It is the middle of corn harvest, and reapers are cutting down the rich brown ears, on the verge of the great forest, where first met the Lady Elizabeth and King Edward. All around the Queen’s Oak, the oak of Whittlebury Chase, is one vast joyous solitude of woods and waters, lonely, yet cheerful; without any habitation, yet not unpeopled, for noble antlers are seen emerging from the brushwood, and joyous birds and butterflies fly in and out among the trees, or flit from one flower to another. All is stillness, and beauty, and luxuriance; and let him who has found a covert within the woody range, venture not far away, for there are fearful doings in the land.
Gradually melt away the mists of time, that have hidden for a while the court of Westminster, but the king is not there, nor yet the queen, nor the couch on which the young child lay; but instead of these, strange men are seen hurrying from room to room, as if in quest of plunder. The moon is up, and her pale beams shine on the white sails of a small vessel, that urges its way, as in fear, from the shores of Lynn, in Norfolk.[50] They shine, likewise, on a mother with three little girls, and a noble looking dame, the Lady Scrope, who have taken refuge in a strong and gloomy building at the end of St. Margaret’s church-yard. That lone mother is the beautiful Queen of England, she has fled to sanctuary on the approach of Warwick’s army, for the ship, whose white sails glisten in the clear cold moonbeams, conveys her husband abroad in quest of succour. Stern men are prowling round the gloomy building, but no one dares to go within, for the queen has registered herself and her three children, Elizabeth, Mary, and Cicely, and the Lady Scrope, as inmates of sanctuary. That gloomy place has sheltered murderers and robbers, men, too, who were in peril of their lives, for treason against their king; but in the present evil times, ladies and young children often find a home within its walls, when all other homes are broken up. And thus, all comfortless and forlorn, is waiting the Queen of England, for the birth of that fair child, who first saw light within the sanctuary of Westminster.[51] No distinction is there between the kindred of a prince or peasant, when the crown is put aside, no royal spell with which to chace away either want or sorrow. The Queen of England soon began to be in need, and must have been constrained to surrender to the army of Queen Margaret, had not provisions been secretly conveyed to her by a kind-hearted butcher of the name of Gould, who could not bear, he said, to think that the lady and her children should be distressed for lack of food.
The infant prince is about to be baptized, and this with no greater ceremony than if he had been a poor man’s child. A poor man’s child might have more to gladden him, smiling faces and fresh air, but around this son of a throneless monarch are sad countenances and gloomy walls. No costly gifts are presented, and for attendants there remain but one or two kind friends, faithful among faithless thousands. No cloth of gold adorns the Gothic font of hewn stone, round which the little band of fond and faithful friends are gathered, while the sacred ceremony is performed by the sub-prior, who gives to the young prince the name of his father. Those who promise for him, poor child, that he shall renounce the pomps and pleasures of the world, when his noble patrimony seems lost to him, are his grandmother and the Lady Scrope, that devoted woman, who adheres to the queen in all her trials. The good abbot, Thomas Milling, performs the office of godfather, no other man being either willing or at hand to do the desolate one that service.
Hark now to the sound of cheerful voices. They come from those who no longer fear to be regarded as adherents of the house of York. King Edward is returned, and with him a gallant company of gentlemen are seen pressing onward to the sanctuary. One moment more, the bolted doors fly open, and the king and queen, with their three little girls, are preparing to leave the sanctuary; the infant prince, borne in the arms of his nurse, and his blithe and gladsome sisters, making the old walls resound with their joyous voices. Men speak much concerning the valorous conduct of Queen Margaret, and all which she has done and suffered in order to replace her husband on the throne. But they speak more of the gentle Elizabeth; how she had sat down in meekness and in patience within the walls of that dismal place, where murderers and traitors had harboured in other times, waiting quietly till it pleased the Most High to send her better days, sojourning, indeed, in trouble, heaviness, and sorrow, yet sustaining it as became a Christian woman, having much to fear, yet hoping against hope.[52]
The queen is playing now with her ladies at a courtly game called the marteaux, while others are amusing themselves as best befit them, according to the fashion of the times. King Edward is dancing with the Lady Elizabeth, his eldest daughter, and all is mirth and revelry, and joyousness, and well may those rejoice, who but a few days before knew not where to find a hiding-place. Who is that stately gentleman, whose dress and accent bespeak him from foreign parts, on whom all eyes are turned, and even the king salutes with more than kingly courtesy? The Lord of Grauthuse, Louis of Bruges. At once a nobleman, a merchant, and a man of letters, acting as deputy in the Low Countries for his master, Charles the Bold. He received and welcomed his royal guest, when in the preceding year the king fled from England, with a few attendants, “the most distressed company of creatures that were ever seen,” for Edward had left his military coat, lined with martin’s fur, with the master of the ship, having no other means of paying him, and was put on shore in his waistcoat. Unlike many in those days, who made the exiles of either faction, whether of the red or paler rose, pay dearly for their prison-houses, or hard fare, the Lord of Grauthuse fed and clothed the king and his attendants. He lent him ships and money, without which he could not have returned to his family, and afforded him every facility for making good his landing on the shores of Britain.[53] The minstrel has ceased now, and night and silence pervade the castle. The moon, which looked down on the white sail of King Edward, passing in its swiftness and its loneliness over the dark waters, shines now on the ancient turrets of Windsor Castle, wherein the king is sleeping. And there, too, his wife and children, his courtiers and his guards, are resting, and no sound is heard except the heavy tramp of the warders as they go their rounds, or perchance the deep bay of some listening hound, which the leveret’s light step on the damp grass has roused from his slumber.
Morning returns, and the cheerful sights and sounds of busy life. St. George’s Chapel, with its painted windows and knights’ banners are brightening in the sunbeams, while our lady’s mass is sung, with the full harmony of the choristers’ sweet voices. The king is there, Lady Elizabeth and the Lord Grauthuse, for it seems as if his late deliverance from so much peril had wrought good thoughts within him.
Again the scene is changed, from the chapel to the quadrant. The innocent young prince is being carried by Sir Richard Vaughan. He can hardly speak as yet, but his chamberlain has taught him to bid the Lord Grauthuse welcome, who saved his father, and brought himself from his dolorous birth-place, to enjoy at once his liberty, and the sun’s cheering light. That faithful chamberlain who carries the young prince everywhere, after his father’s footsteps, will yet be called upon to act in a very different scene. He is attending the king and count from place to place, now in the lodge at Windsor Park, where the royal family dine together, afterwards through the garden and vineyard of pleasure, for the king desires to show his guest the many and varied excellencies of his kingly dwelling.
Pageants sweep by, and nobles are presiding in halls of state. See the monarch, too, in his kingly robes, with his cap of maintenance, and right and left his lords, both spiritual and temporal. And list to that grave man, who declares before the king and nobles, the intent and the desire of the commons, with regard to the queen and Lord Grauthuse; upon the one is bestowed all honour and commendation of her womanly behaviour and great constancy during the nation’s peril; to the other, is conveyed that nation’s gratitude for his kindness and humanity to her sovereign lord, by the king, creating him Earl of Winchester. And surely the ceremony of that creation is one of no ordinary interest. The king is passing now into Whitehall, and thither too goes the queen from her own apartment, wearing a crown upon her head, with the young prince in his small robes of state, borne after her in the arms of Master Vaughan. And thus the king and queen, and that fair child, proceed through the abbey church, to the shrine of St. Edward, where their offerings are presented. Next, in the review of pageantries and banquet-halls, hunting scenes and revels, in the beautiful bowers of Eltham Palace, rises from out the mingled scene, the rich and gorgeous spectacle of the betrothing of the young Duke of York with Anne Mowbray, the infant heiress of the duchy of Norfolk. St. Stephen’s chapel is being hung with arras of gold, and men are employed both day and night in putting up the drapery, which standing in its richness, must yet be gracefully arranged in broad folds around the pillars and the columns. All this is done, and the closed doors are opened for the entrance of stately ladies and train-bearers, great lords and their attendants, the beauty and the chivalry of the house of York. And now the flourish of loud trumpets and the clang of cymbals announce the king’s approach, and the full quire is pealing forth its melody of mingled voices and high minstrelsy. The king is entering with the young Prince of Wales and the three princesses, Elizabeth, Mary, and Cicely; the queen follows, leading the small bridegroom of five years’ old, her brother, Earl Rivers, conducts the baby bride, who looks awestruck and wondering, at the unusual sights and sounds. Thus striking its roots deep, with young scions rising round, stands the red rose of England in all its richness and luxuriance.
Look at that desolate woman, who is sitting all sorrowful and dismayed on the rushes that strew the floor of a large and antique apartment. Her long hair, once her richest ornament, has fallen from beneath her widow’s cap, and flowing in all its wonted beauty, over her slight form, is resting on the pavement. Fearful scenes have passed before the view of England’s queen since her proud day in St. Stephen’s chapel—her husband’s couch of death, his deep remorse for sins committed or duties passed over; his funeral, his empty throne, murder, and usurpation. There is the sound of many footsteps treading heavily and in haste, and the putting down of boxes; men are seen busy in conveying household stuff, and chests and packages, but that desolate woman does not seem to heed them—she is thinking only of her sorrows, and the dangers that surround her family, for intelligence was brought to her at midnight that the Duke of Gloucester had intercepted the young king on his way from Ludlow to the metropolis; that he had seized his person, and caused the arrest of her brother, Earl Rivers, and Lord Gray, her son, together with the faithful Vaughan, who used to carry prince Edward when an infant.[54]