Bitterly does she lament having listened to the evil counsellors, who prevented her from placing a strong escort around the person of her son; but she remembered, even in the midst of her exceeding grief, that herself and her young family had before been saved by taking refuge in the sanctuary, and she resolved to go thither without delay. Rising up, therefore, in the midst of the dark night, she caused her innocent children to be brought to her, and hastened with them from the palace of Westminster to the residence of the good abbot. She knew that if able to keep her second son in safety, it would ensure the life of the young king; but she did not go as heretofore into the ancient sanctuary, for the whole of the abbey, with its rooms of state and spacious gardens, was equally privileged, and she felt that she was welcome. Never yet has the right of sanctuary been violated, even in the worst of times; and, perhaps, a ray of hope is lighting up in the breast of that lone woman; but now the door is opening, and the venerable Archbishop Rotherham, who resides in York-place, beside the abbey, enters, with a cheerful countenance, and communicates a message, sent him by Lord Hastings in the night, and which he believed to be of good import. Bourchier, the primate, accompanies him, and they come in full credence of the duke’s good faith, who has endeavoured, with much sophistry, to convince the privy council that his designs are just and honourable.
The queen seems unwilling to receive their message; her just apprehensions are not to be removed by the hopes which they endeavour to excite. The good archbishop seeks to comfort her by saying that he trusts the matter is none so sore as she takes it for, and that he is in good hope, and relieved from fear by the message sent from the Lord Chamberlain Hastings. “Ah, woe worth him,” replies the queen, “for he is one of them that labours to destroy me and my children.” “Madam,” rejoins the bishop, “be of good cheer: I do assure you, if they crown any other king than your son, whom they now have with them, we shall, on the morrow, crown his brother, whom you have with you. And here is the great seal, which, in likewise, as that noble prince, your husband, delivered unto me, so here I deliver it unto you, to the use and behoof of your son.”[55]
This sad scene, like others of joy and sorrow in the life of poor Elizabeth, is fading from before the view, but, while it lingers, look well at the spacious hall wherein the queen has taken refuge, with its circular hearthstone in the centre, and an opening in the roof above, through which the smoke escapes in winter. The further end is nobly screened with oak panelling, laticed at the top, and having several doors of ancient workmanship, that open on winding stairs, leading to numerous small stone chambers, with carved windows and stone mullions. There are also state apartments, of which the walls are covered with richly carved oak; an organ-room, and the abbot’s grand reception-room, with its Gothic window of painted glass, but with such we have no concern.
May, sweet May is come, and the hearth-stone is decked with green branches and bright flowers; the birth of the young day, but withering before its close. Emblems of the failing hopes of her who sits all desolate beside them, and with her are two beautiful and serious-looking maidens, the princesses Elizabeth and Mary, and four young children, from three to eleven years of age; Richard, Duke of York, Anne, Catherine, and Bridget. At one time the terrified children hide in the folds of their mother’s robe; at another, their cheerful voices are heard, calling to each other as they run from room to room; now in the state apartment, and now in some winding passage, or asking leave to wander forth among the bees and flowers in the quiet garden of the abbey. Poor children, your grief is light, and it passes soon, like an April shower; but darker clouds are gathering, and their crushing rain will fall heavily even upon you.
An aged man is seen advancing towards the abbey, and with him a deputation, apparently of no mean rank. His robes and crosier denote his dignity, for it is the Archbishop of Canterbury, who is about to pay a visit to the queen, with a message from the Lord Protector, who has placed the young king in the Tower, under the pretence of awaiting his coronation, and who also desires to gain possession of his brother. A long and stormy debate had taken place in the star-chamber, close to Elizabeth’s retreat. It was argued there, that men and women might remain in sanctuary, but that young children had no need, they being guileless of all crimes that might affect the state; that consequently the Duke of Gloucester might possess himself of his nephew whenever it pleased him. The archbishop was extremely concerned when he heard all this, and he proferred his services to speak with the queen, rather than force should be used.[56]
The scene has changed from the great hall, with its fresh flowers around the hearthstone, and its floor strewed with green rushes, to the great Jerusalem chamber, with its Gothic window of richly stained and painted glass, its curious tapestry, and ancient picture of King Richard. Observe the venerable man, beneath the surface of whose placid and pale features deep feelings are at work. He knows not what to say, nor how to prepare the mind of the poor queen for the stern resolve of the hunchbacked protector, with regard to the young prince. At length he began by urging that the king required the company of his brother, being much cast down for the want of a playfellow.
“Troweth the protector,” replies the queen, (heaven grant that he may prove a protector,) “that the king doth lack a playfellow? Can none be found to play with the king but only his brother, who hath no wish to play because of sickness? as though princes so young as they be, could not play without their peers, or children could not play without their kindred, with whom, for the most part, they agree worse than with strangers!” The archbishop knew not what to say in answer, he liked not to tell her that the protector was resolved to gain possession of the young prince, and he waited in the hope that she might be inclined to accede to his request. At length the queen, taking her son by the hand, said, in a compressed and solemn tone, “My lord, and all my lords now present, I will not be so suspicious as to mistrust your truth. Lo here is this gentleman whom, I doubt not, would be safely kept by me if I were permitted; and well do I know there be some such deadly enemies to my blood, that if they wist where any lay, they would let it out if they could. The desire of a kingdom knoweth no kindred; brothers have been brothers’ bane, and may the nephews be sure of the uncle? Each of these children are safe while they be asunder; notwithstanding, I here deliver him, and his brother’s life with him, into your hands, and of you I shall require them before God and man. Faithful ye be, I wot well, and power ye have, if ye list, to keep them safe; but if ye think I fear too much, yet beware ye fear not too little! Farewell, my own sweet son! God send you good keeping. Let me kiss you once ere you go, for God knoweth when we shall kiss together again.” Tenderly embracing the afflicted boy, she is seen “weeping bitterly over him, and he too is weeping as fast in his turn.”[57]
Fearful tragedies are acting now in the dim distance of time’s perspective. They flit before the mental view, fading, and seeming to appear again; yet not the same, though like in terror and in kind. The shadowy figures of Hastings, of Gray, and Rivers, are seen passing from the block, and then the innocent forms of two young children, emerging from the gloomy range of fortresses belonging to the Tower. And loud is heard the sobbing, and the pitiful screams of the poor mother, as she beats upon her breast, and calls her sweet babes by name; and, kneeling down, implores the vengeance of the Just One, on the guilty head of him who has thus cruelly deprived her of her sons.
The vaulted door of a spacious room is opening, and across the furthest end seems flitting a strange succession of sad scenes—a young child’s[58] funeral passes, and then a burst of anguish comes remotely to the ear, as if across wide waters, from a stern man, who yet cannot hide his sorrow; then a woman’s wail, but the wail soon dies away, and a death scene and a funeral pass in faint review.[59] Then the great fight of Bosworth, where a king is slain, and another takes his crown; a bridal follows and a coronation.
Thus they pass; events of other days are shadows now; terrible, indeed, at the period of their reality, but when ended, how soon forgotten! yet not forgotten by the aged woman, who is resting, as in a quiet home, within that spacious room in the Abbey of Bermondsey. It is her right to be there, for the prior and monks are bound by their charter to entertain, and that most hospitably, the representative of their great founder, Clare, Earl of Gloucester. Edward VI. was the sole heir of that family, and the queen dowager is privileged to occupy the nobly panelled halls, and state-chambers, that are expressly reserved for the descendants of the founder.[60]