It comes to cool my babe and me.”

Holcroft, who was a martyr to intense physical suffering, alludes to the notice the soul takes of the objects presented to the eye in its hour of agony, as a relief afforded by nature to permit the nerves to endure pain. In both states I have experienced it; and the particular shape of a room—the progress of shadows on a wall—the peculiar flickering of trees—the exact succession of objects on a journey—have been indelibly engraved in my memory, as marked in, and associated with, hours and minutes when the nerves were strung to their utmost tension by the endurance of pain, or the far severer infliction of mental anguish. Thus the banks of the Brenta presented to me a moving scene; not a palace, not a tree of which I did not recognise, as marked and recorded, at a moment when life and death hung upon our speedy arrival at Venice.

And at Fusina, as then, I now beheld the domes and towers of the queen of Ocean arise from the waves with a majesty unrivalled upon earth. We were hailed by a storm of gondolieri; their vociferations were something indescribable, so loud, so vehement, so reiterated; till we had chosen our boat, and then all subsided into instant calm.

I confess that on this, my second entrance into Venice, the dilapidated appearance of the palaces, their weather-worn and neglected appearance, struck me forcibly, and diminished the beauty of the city in my eyes. We proceeded at once to the Leone Bianco, on the Canale Grande; they asked a very high price for their rooms, which rendered us eager, as we intended to remain here a month, to make immediate arrangements for removing elsewhere.

Our first act was to send our letters of introduction; the second, for two of us to go out to look for lodgings. The account brought back by our second dove from the ark was rather discouraging; but our first brought better things. Count —— and Signor —— loved and respected too sincerely the writer of our letters not to hasten on the instant to acknowledge them. Signor —— at once perceived and entered into our difficulty. I never saw such friendly zeal; nor was Count —— behind in kindness, though, as a younger man, and not so conversant with the perplexities of travellers, he could not be so efficient in his help. The thing was soon settled. Signor —— remarked that if we took lodgings we should want a cook, and that housekeeping in an unknown town, for a short space of time, was fraught with annoyance. There was a new hotel just established, which desired to be made known to the English, and which therefore would be moderate in its charges. We went to see the rooms. The Hotel d’Italia is situated in a canal, three oar-strokes from the Canale Grande; so far we lost what is most to be coveted at Venice—the view from our window of this ocean stream, with its bordering palaces,—but we were within three minutes’ walk of the Place of Saint Mark. Our rooms were on the second floor, a bed-room apiece, and a salon, spacious, turned to the sun, and being but just furnished, clean in the excess of newness. Many a palace had been spoiled of its marble architraves and ornaments to decorate this new hotel. We made our bargain; we calculated that, everything included, each of our party would pay nine pounds a month for lodging and board.

This done, we returned with our kind friends to the Leone Bianco, as we are not to remove till tomorrow. Evening has come, and the moon, so often friendly to me, now at its full, rises over the city. Often, when here before, I looked on this scene, at this hour, or later, for often I expected S.’s return from Palazzo Mocenigo, till two or three in the morning; I watched the glancing of the oars of the gondolas, and heard the far song, and saw the palaces sleeping in the light of the moon, which veils by its deep shadows all that grieved the eye and heart in the decaying palaces of Venice. Then I saw, as now I see, the bridge of the Rialto spanning the canal. All, all is the same; but as the Poet says—

“The difference to me!”

LETTER VII.
The Ducal Palace.—The Academia delle Belle Arti.

Venice, September.

I miss greatly the view of the Canale Grande from my window; however, the result, probably, of our being in a narrow canal will be, that I shall see much more of Venice: for were we among its most noble palaces, it would suffice and amply fill the hours, merely to loiter away the day gazing on the scene before us. As it is, though singularly Venetian—the wave-paved streets beneath, the bridge close at hand—the peep we get at wider waters at the opening,—it is but a promise of what we may find beyond, and tempts us to wander.