Had you been in a philosophizing mood, had your heart or your reason been at home, you might have been convinced, by ocular demonstration, that madness is only the absence of reason.—The ruling angel leaving its seat, wild anarchy ensues. You would have seen that the uncontrouled imagination often pursues the most regular course in its most daring flight; and that the eccentricities are boldly relieved when judgment no longer officiously arranges the sentiments, by bringing them to the test of principles. You would have seen every thing out of nature in that strange chaos of levity and ferocity, and of all sorts of follies jumbled together. You would have seen in that monstrous tragi-comic scene the most opposite passions necessarily succeed, and sometimes mix with each other in the mind; alternate contempt and indignation; alternate laughter and tears; alternate scorn and horror[[8]].—This is a true picture of that chaotic state of mind, called madness; when reason gone, we know not where, the wild elements of passion clash, and all is horror and confusion. You might have heard the best turned conceits, flash following flash, and doubted whether the rhapsody was not eloquent, if it had not been delivered in an equivocal language, neither verse nor prose, if the sparkling periods had not stood alone, wanting force because they wanted concatenation.
It is a proverbial observation, that a very thin partition divides wit and madness. Poetry therefore naturally addresses the fancy, and the language of passion is with great felicity borrowed from the heightened picture which the imagination draws of sensible objects concentred by impassioned reflection. And, during this ‘fine phrensy,’ reason has no right to rein-in the imagination, unless to prevent the introduction of supernumerary images; if the passion is real, the head will not be ransacked for stale tropes and cold rodomontade. I now speak of the genuine enthusiasm of genius, which, perhaps, seldom appears, but in the infancy of civilization; for as this light becomes more luminous reason clips the wing of fancy—the youth becomes a man.
Whether the glory of Europe is set, I shall not now enquire; but probably the spirit of romance and chivalry is in the wane; and reason will gain by its extinction.
From observing several cold romantic characters I have been led to confine the term romantic to one definition—false, or rather artificial, feelings. Works of genius are read with a prepossession in their favour, and sentiments imitated, because they were fashionable and pretty, and not because they were forcibly felt.
In modern poetry the understanding and memory often fabricate the pretended effusions of the heart, and romance destroys all simplicity; which, in works of taste, is but a synonymous word for truth. This romantic spirit has extended to our prose, and scattered artificial flowers over the most barren heath; or a mixture of verse and prose producing the strangest incongruities. The turgid bombast of some of your periods fully proves these assertions; for when the heart speaks we are seldom shocked by hyperbole, or dry raptures.
I speak in this decided tone, because from turning over the pages of your late publication, with more attention than I did when I first read it cursorily over; and comparing the sentiments it contains with your conduct on many important occasions, I am led very often to doubt your sincerity, and to suppose that you have said many things merely for the sake of saying them well; or to throw some pointed obloquy on characters and opinions that jostled with your vanity.
It is an arduous task to follow the doublings of cunning, or the subterfuges of inconsistency; for in controversy, as in battle, the brave man wishes to face his enemy, and fight on the same ground. Knowing, however, the influence of a ruling passion, and how often it assumes the form of reason when there is much sensibility in the heart, I respect an opponent, though he tenaciously maintains opinions in which I cannot coincide; but, if I once discover that many of those opinions are empty rhetorical flourishes, my respect is soon changed into that pity which borders on contempt; and the mock dignity and haughty stalk, only reminds me of the ass in the lion’s skin.
A sentiment of this kind glanced across my mind when I read the following exclamation. ‘Whilst the royal captives, who followed in the train, were slowly moved along, amidst the horrid yells, and shrilling screams, and frantic dances, and infamous contumelies, and all the unutterable abominations of the furies of hell, in the abused shape of the ‘vilest of women[[9]].’ Probably you mean women who gained a livelihood by selling vegetables or fish, who never had had any advantages of education; or their vices might have lost part of their abominable deformity, by losing part of their grossness. The queen of France—the great and small vulgar, claim our pity; they have almost insuperable obstacles to surmount in their progress towards true dignity of character; still I have such a plain downright understanding that I do not like to make a distinction without a difference. But it is not very extraordinary that you should, for throughout your letter you frequently advert to a sentimental jargon which has long been current in conversation, and even in books of morals, though it never received the regal-stamp of reason. A kind of mysterious instinct is supposed to reside in the soul, that instantaneously discerns truth, without the tedious labour of ratiocination. This instinct, for I know not what other name to give it, has been termed common sense, and more frequently sensibility; and, by a kind of indefeasible right, it has been supposed, for rights of this kind are not easily proved, to reign paramount over the other faculties of the mind, and to be an authority from which there is no appeal.
This subtle magnetic fluid, that runs round the whole circle of society, is not subject to any known rule, or, to use an obnoxious phrase, in spite of the sneers of mock humility, or the timid fears of some well-meaning Christians, who shrink from any freedom of thought, lest they should rouse the old serpent, to the eternal fitness of things. It dips, we know not why, granting it to be an infallible instinct, and, though supposed always to point to truth, its pole-star, the point is always shifting, and seldom stands due north.
It is to this instinct, without doubt, that you allude, when you talk of the ‘moral constitution of the heart.’ To it, I allow, for I consider it as a congregate of sensations and passions, Poets must apply, ‘who have to deal with an audience not yet graduated in the school of the rights of men.’ They must, it is clear, often cloud the understanding, whilst they move the heart by a kind of mechanical spring; but that ‘in the theatre the first intuitive glance’ of feeling should discriminate the form of truth, and see her fair proportion, I must beg leave to doubt. Sacred be the feelings of the heart! concentred in a glowing flame, they become the sun of life; and, without his invigorating impregnation, reason would probably lie in helpless inactivity, and never bring forth her only legitimate offspring—virtue. But to prove that virtue is really an acquisition of the individual, and not the blind impulse of unerring instinct, the bastard vice has often been begotten by the same father.