THE PICTORIAL PRESS:
ITS ORIGIN AND PROGRESS.

CHAPTER I.

The Pictorial Taste Universal—The Early ‘News-books’—Development of the Newspaper Press—General use of Newspapers—Establishment of Illustrated Journals—Wandering Ballad Singers the First Newsvendors—The English Mercurie of 1588—The Abolition of the Star Chamber and its Effect on the Press.

The inherent love of pictorial representation in all races of men and in every age is manifest by the frequent attempts made to depict natural objects, under the most unfavourable circumstances and with the slenderest means. The rude drawing scratched on the smooth bone of an animal by the cave-dweller of pre-historic times, the painted rocks of the Mexican forests, and the cave-paintings of the Bushmen, are all evidences of this deeply-rooted passion. The child of civilised life looks with delight on his picture-book long before he can make out the letters of the alphabet, and the untutored Esquimaux treasures up the stray number of an illustrated newspaper left in his hut by the crew of some whaling ship, though he cannot understand one word of the printed page. But the pictures speak a universal language, which requires no teaching to comprehend.

When the printing-press came into use this love of pictures had a wide field for development. Some of the first books printed in England were illustrated with woodcuts, and many of the tracts, or ‘News-books,’ which preceded regular newspapers, were adorned with rude engravings. It mattered not how graphic was the pen, its work was deemed incomplete without the aid of the pencil. It often happened that the pen was none the better for the fellowship, but the public taste was not fastidious, and the work sufficed for the occasion. In tracing the origin and progress of pictorial journalism we shall find in ‘the abstracts and brief chronicles of the time’ many curious illustrations of contemporary history. The subject is not without interest now that the illustrated newspaper has become a prominent feature in the journalism of every country.

The development of the newspaper press and its unrestricted use as the exponent of public opinion is one of the most interesting signs of modern progress. When we consider the liberty of thought and action that prevails in our own day, it is difficult to believe that our forefathers were liable to the pillory and other degrading punishments when they ventured to publish their opinions without first obtaining the sanction of the ruling powers. We are accustomed to the daily exercise of the right which cost Prynne his ears and brought fines and imprisonment on Defoe. Newspapers have become almost as necessary to our daily life as bread itself. The mind demands its breakfast as well as the body; and to many a busy man the loss of his morning paper would be as great a deprivation as the want of his usual matutinal meal.

In London, and in all our great centres of population, the newspaper has become the unfailing accompaniment of the City man’s journey to business. At the railway stations journals of every kind tempt the loitering passenger, while the illustrated papers appeal to him in a language of their own. Whether in the railway carriage, the omnibus, or the steam-boat, the newspaper is eagerly conned, and its contents form the food of conversation. Most of these newspapers are cast aside at the end of the twenty minutes’ or half hour’s journey; and then, at second hand, they amuse the leisure moments of the railway porter, or, better still, they are collected together, and perhaps serve to solace the sick poor during many lingering hours in hospitals and refuges. Day by day the demand is made, and the supply is ready. The printing-machine never sleeps and is never tired. Its voice is one of the voices of the night—most unmusical, yet with a mysterious meaning. The daily newspaper, so potent in diffusing the light of knowledge, is itself the offspring of darkness. The busy brains and active fingers which create it turn night into day in the execution of their quickly recurring tasks, and with unflagging energy they labour on, that the slumbering world may be properly amused and instructed when it wakes.

The intelligent foreigner who happens to reach our southern coast on a Monday morning in summer or autumn, and travels to London by one of the early trains, is astonished, when the train stops, to see most of the gentlemen rush from the carriages and surround a small boy, whom they appear to hustle and threaten with violent gesticulations. The boy appears to buy off the hostility of his assailants by dealing out to each a paper, which he takes from a large bundle under his arm, and with which the appeased passenger returns to his carriage. Cries of ‘Times! Daily News! Telegraph! Standard!—Here, give us one—anything!’ reach the ears of the wondering stranger, who beholds the boy at length take refuge in an empty railway carriage on the opposite side of the platform, and from that place of vantage he continues to deal out the mysterious papers. After a time the intelligent foreigner learns that these are the London papers of that morning, which are sent out to meet the trains, and are eagerly bought by the gentlemen who have been spending from Saturday to Monday at the seaside, and, having fasted from all newspapers during that time, they are now of course famishing for news. Such is their eagerness that politics are thrown to the winds. The Conservative will put up with a Liberal newspaper rather than have none at all; and he whose ill luck or inertness has left him without the coveted sheet is glad to borrow of his neighbour, that he may not be walking in the darkness of ignorance when he arrives at his place of business. As the train moves off, the intelligent foreigner, if he thrusts his head out of the carriage window, may behold in the distance the newsboy pensively counting his gains and endeavouring to make his receipts tally with the number of papers that have vanished.