CHAPTER XI.
In passing through Paris we shall pause to present a few sketches representative of the great French capital. It is the gayest metropolis of Europe, the spot where the traveller is most inclined to linger, and whose siren voice is most dangerous to the inexperienced. Its attractions are innumerable, combining unequalled educational advantages in art, literature, and the learned professions, together with unlimited temptations to frivolity. Here are offered daily, without money and without price, lectures upon all themes known to science, free schools in all departments of learning, free art museums and free art galleries, such as can hardly be excelled in the world.
The finest view to be had in the city may be enjoyed by taking one's stand in the Tuileries Garden and looking straight across the Place de la Concorde to the far-away Arc de Triomphe. Here is a clear view, in the very heart of Paris, two miles long, over the entire length of the Champs Elysées. The only thing to impede the sight in the least degree is the grand old column of Luxor, which stands in the middle of the Place de la Concorde, but which is of only needle-like proportions in so comprehensive a view as we speak of. This is the finest square of the city, and indeed we may go further and say the finest in all Europe. It is bounded on the north by the spacious buildings occupied by the Ministry of the Marine, on the south by the Seine, here crossed by the Pont des Invalides, and having the Tuileries on the east and the Champs Elysées on the west. As this is the first square in Europe, so is the Champs Elysées, which opens out of it, the grandest boulevard in the world. It is divided into three alleys, liberally planted with trees, the principal entrance being marked by the celebrated sculptures known as the "Horses of Marly," standing like sentinels, one on each side of the broad carriage-way. This is the road leading to the Bois de Boulogne, the favorite pleasure-drive of the Parisians, where also may be found the fine race-grounds and the Jardin d'Acclimation, with its superb and unrivalled collection of wild animals and rare birds.
Sunday is a weekly recurring carnival here, on which occasions the races and the military reviews take place, and all Paris seeks to amuse itself by open air pleasures. Fifty thousand people and more throng the Champs Elysées; the toy and refreshment booths drive a lucrative business; the numerous goat and pony wagons for children are in constant use. One little turn-out is particularly noticeable, consisting of four well-trained Newfoundland dogs, elegantly harnessed and attended by a couple of servants in livery, a boy of ten or twelve years holding the lines from his seat in the light and graceful little vehicle. Merry young misses drive their ribbon-decked hoops with special relish, and roguish boys spin their tops with equal zeal. Clouds of toy-balloons, of various colors and sizes, flash high above the heads of itinerant vendors, while the sparkling fountains throw up softly musical jets everywhere. Soldiers off duty, strolling idly about, dot the scene with their various uniforms, their shining helmets, and elaborate gold lace. The busy road-way is crowded by a thousand turnouts, drawn by high-stepping horses. Delighted youths, of both sexes, mount wooden horses in the merry-go-rounds and enjoy their ride at a cost of a couple of cents. Lofty aerial cars, upon huge revolving wheels, afford as much delight and more risk to other youths. Punch and Judy, and the man with the air-gun and conspicuous mark, are also present. A performing monkey divides the honors and pennies with the rest of the entertainers. Not far away an acrobat, in flesh-colored tights, lies upon the carpeted ground and tosses a lad, dressed in spangled thin clothes, into the air, catching him upon his foot again as he comes down, and twirling him so rapidly that the boy becomes invisible. Such is a glimpse of the Champs Elysées on Sunday.
Strangers in Paris do not forget to visit the Expiatory Chapel, erected by Louis the Eighteenth to the memory of Louis the Sixteenth, Marie Antoinette, and other victims of the Revolution, which took place about a century since. Historic recollections crowd upon us as we stand within this small but beautiful chapel. Time has softened the sternness of judgment relating to the king and queen; and we all pause to admire their bearing in adversity, but are forced to the conclusion "that nothing in their life so well became them as the manner of their leaving it." The queen was remarkable for her dignity of person, which she loved to increase by the accessories of ornament, until, as a writer of that period tells us, covered with diamonds and precious stones, she was literally a thing of light. But Marie Antoinette, in the dungeons of the Conciergerie, in her widow's cap and patched black dress, was worthier of love and veneration than when she blazed as the royal star of Versailles.
The flower market of this large capital is ever suggestive and interesting. The women, of all ages, who bring these floral gems to the city, exhibit a taste in their arrangement which would be of value to a professional artist. One may detect a living poem in each little department. The principal square devoted to this purpose is situated just over the Pont Neuf and borders the Seine. The market is changed so as to be held for two days of each week under the shadow of the Madeleine, in the Place de la Madeleine, the noblest of modern Christian temples in its chaste architecture. As we come down from the Rue Scribe, in the early part of the day, we see vehicles, with liveried attendants, pause while the fair occupants purchase a cluster of favorite flowers; dainty beauties on foot come hither to go away laden with fragrant gems, while well-dressed men deck their buttonholes with a bit of color and fragrance combined. Here is a white-frocked butcher selecting a full-blown pot of pansies, and here a sad-faced woman, in widow's weeds, takes away a wreath of immortelles—to-night it will deck a tomb in the cemetery of Père la Chaise. This giddy and nervous fellow, who is full of smiles, takes away a wedding wreath—price is no object to him. Yonder is a pale-faced shop-girl—what sunny yet half-sad features she has! She must perhaps forego her dinner in order to possess that pot of mignonette, but she trips lightly away with it in a happy mood.
The most interesting church here is that of Notre Dame, whose massive towers greet the eye in every comprehensive view of the city. The present structure is probably not over seven hundred years old, but it stands upon a site successively occupied by a Pagan temple and a Christian church of the time of the early kings. The present building presents one of the most perfect examples of Gothic architecture extant. It contains about forty separate chapels. Here the late Emperor and Empress were married, in January, 1853, just fifty-two years after the coronation of the first Napoleon in the same place.
A little way from Notre Dame, upon a street situated behind it and near the Pont St. Louis, is the Morgue, or dead-house of Paris, at all times open to the public, where are exposed the corpses of unknown persons who have met their death in the streets or the Seine by violence or drowning. These bodies remain here three days for the purpose of identification. If not recognized and claimed by friends, they are then buried at the expense of the city, or consigned to the dissecting-tables. There are brought here during the year, the officer in charge will tell us, over three hundred bodies, two-thirds of whom are men, and about one-third women. A large number of the latter are known to be suicides, and are recovered from the waters of the Seine, close at hand.