“You see, Minnie, it might mean one of two things, and I am not quite sure which of them it does mean.” She looked again at the message with amused interest; but one could not have said whether she was amused at her interest, or interested in her amusement. That was part of Miss Percival's charm, that she was always baffling you.
But Minnie, the maid, was demure and monotonous under the attack of friendly desires. “No, Miss Percival,” she said, and added, “I am sure I couldn't say.” She stood aside from the doorway as the young lady entered the billiard-room, saying, as she went, “Ask Mrs. Benson to come to my room, Minnie, please; and tell Frodsham I should like to see him directly he comes to-morrow morning.”
She heard Minnie's “Very well, Miss Percival,” as she disappeared, smiling still, and with a slight heightening of colour. When her colour rose, it rose evenly, flooding her face and neck with the dawn-hue. There were no patches or streaks of flame; she showed, as it were, incandescent.
She crossed the hall in the deepening dusk, a fine, littered room, where a great log-fire revealed the tall portraits of ladies and gentleman of long ago—sportsmen with spaniels at their feet, general officers in scarlet, pointing through smoke the direction of the enemy, a judge in ermine and full bottomed wig, a lady in white satin leaning against a broken column in a park, and backed by a brewing thunderstorm; and as she went her way gave a couple of glances to right and left, picked up a Bradshaw from a side-table, stooped to put a tiger-skin straight. She continued down a long corridor, swinging her hat, and entered an open doorway at the extreme end. By the way she tossed the hat on to a chair and stirred the crackling logs with the point of her shoe, it was to be supposed that she was in her demesne. Standing with a foot on the fender she presently fell into a reverie, and presently reopened and re-read her telegram. Certainly she was smiling, and certainly her colour was enhanced.
The room, though business-like, was feminine. It had a Chippendale bureau between the windows, its pigeon-holes stuffed with papers; but there were flowers upon it, and elsewhere many photographs, and pictures evidently chosen by the tenant. The Dante from the Bargello was one, the three headless Fates of the Parthenon another; the Hermes and the Sophocles, all in autogravure. It had a piano and a small bookcase containing the poets in green morocco, a uniform set. Elsewhere, in a larger bookcase, were miscellaneous volumes, by no means all novels, though novels there were. One shelf was filled with household books: cookery, bee-keeping, poultry, the Dog in Health and Disease, the horse, the flower-garden, Botany, British Edible Fungi, the World of Vegetables, were some of the subjects treated of. Below the bookcase was a row of japanned tin boxes, carefully lettered in white paint. House Accounts, Garden Accounts, Stable Accounts, one read. A fourth bore the words “Wood Sales and Miscellaneous.”
If you were alone, waiting in the room, you would glance at the photographs perched about, like alighting butterflies, upon piano and mantelshelf and occasional table. You would pass over, I believe, the children on ponies and in sailor suits, that elderly, ample lady, brooched and in black, beaming under the status of Grandmamma, that gaitered gentleman with a square-topped felt hat upon his head and grizzled whiskers below his ears, in favour of a group of five girls in black muslin and lace, sisters evidently, prosperously together, an uncommonly happy five. They look on good terms with themselves and with each other. They look frankly at you out of the frame—and how they must have dazzled the photographer with their five pair of bright, uncompromising eyes! Hands rest easily upon familiar shoulders, elbows on knees. One of them smiles outright, two are very ready to smile; one is more serious, as becomes the eldest of five; and one is round-cheeked and solemn—the baby.
Miss Percival and her sisters, it's clear. One can't mistake the rounded chin, the level brows, the promise of womanhood. Women should always be photographed in evening dress if, like the Misses Percival, they have nothing to hide. But now to pick out our Miss Percival. You will observe that the young ladies' names are neatly printed beneath their persons.
Even if I were sure of dates, I should not insist upon the serious one. So far as I can judge, the photograph is some eight or ten years old. I go by the style of hair-dressing which it shows, and by the name of the photographer, who signs from Wigmore Street. He is out of date; fashion has deserted him. Then that grave, watchful young goddess, who sits enthroned with her nymphs about her, must be a great deal older than our lady of this room, of the doubtful smile and friendly desires. She has the sedate air of eight-and-twenty, and by this time must be thirty-six or even more. She is Philippa, anyhow, we read. Who comes next? Here is Hawise, standing behind her of the throne and the centre, with a hand on her bare shoulder. She is laughing, sleepily; she is distinctly pretty, but distinctly, also, fat. She cannot be the owner of this room.
There's a taste for names in the Percival family: we have Philippa, Hawise. Now for the seated pair, one on either side of Philippa: they are Melusine, who has a long neck and a very demure look, and a great deal of hair, and Victoria, who, having just tossed back her head, lifts her chin and glimmers at you through half-shut eyes. Her lips laugh snugly at some mischief meditating. Neither of these can be our lady, who must therefore be the last and youngest, this child of eighteen or so, round-cheeked, round-eyed and serious, with critical lids, like those of the Farnese Hera, and a beautiful mouth: Sanchia-Josepha, crouched on the floor at the feet of Philippa. A charming bevy of maidens—Philippa, Hawise, Melusine, Victoria, Sanchia-Josepha; ten years ago happily sisters and rich in promise, looking out boldly at the veiled years ahead of them. Ten years ago? Call it eight, and you make our Miss Percival, say, six-and-twenty by this time.
There are many other photographs—girls and women, most of them; but here is a man, dignified by a place apart upon the bureau. He occupies one side of it by himself, balanced by the sisters at the other. A youngish man in yeomanry uniform he appears only in torso. He has the smooth head of a soldier, and rather a low, but very square, forehead. His eyes are smallish, and set deep. They look to be grey, light grey, but may be light blue. He has a good nose, high-bridged, large, thin, and practically straight. Such noses are seldom perfectly straight, and his is not. I observe that he has curled his moustache with the tongs, so that it is well away from his upper lip. If I had been he I should not have done that. It is too much trouble—and if a man takes pains about his toilette, those pains ought not to be evident. Moreover, the mouth is by no means this young man's best feature. There is a twist, the hint of a snarl in the upper lip. The lower protrudes. The gentleman is the least in life underhung. Consider his chin. It has the jut of the Hapsburgs', of Charles the Fifth's, not pronounced by any means, but undoubtedly there. Firmness, or perhaps obstinacy, hard judgment, an uneven temper, a leaning to autocracy, I read in this portrait. There is no signature, nothing to tell you who he is. Certainly, no Percival.