I call your attention to one more photograph, in marked distinction to others of your notice. Those were, in every sense, full—dress affairs; this one, in all senses, undress. It is the work of an amateur, you can see at once—small, rather blurred to begin with, not perfectly focussed, and fading now towards the end of all such gear. It represents a bareheaded young lady in a white gown pinned very high. She is standing in a pond, with the water well over her knees. One hand keeps her balance with a pole, the other grasps a streamer of water-weed. Floating beyond her upon some kind of raft is a man, bareheaded also, in a white sweater with a rolling collar. His face is shadowed—you can see that his hair, black and straight, falls over his eyes. He is raking up the weed with his hand, his arm bare to the shoulder. Below is written, in a round, sprawling hand, “To Sanchia from Percy.” Both the workers are intent upon their task, with no idea that they are posing. The girl has a Greek face, and a very fine pair of legs heedlessly displayed. The man is as thin as a gypsy. Out of the dark in which his face is hidden gleam his white teeth. A classical, rather than romantic scene. The absence of draperies suggest it; but the absence of self-consciousness is conclusive.
But I keep Miss Percival too long at the fender. She had been standing there for some minutes after her entry, first re-reading her telegram, next stroking her chin with it. She was thoughtful still, and still smiling. Once she looked over her shoulder through the window to the dying day, and lightly sighed. The time was April's end, and had been squally, with violent storms; but the last onslaughts of the north-wester had routed the rain-clouds. The day was dying under a clear saffron sky, and a thrush piped its mellow elegy. Miss Percival heard him, and listened, smiling with her lips, and with her eyes also which the serene light soothed. Her lips barely moved, just relaxed their firm embrace, but no more. She held the light gratefully with her eyes, seemed unwilling to lose a moment of it, wistful to be still out of doors. Again she lightly sighed, and presently resumed her downward gazing at the fire.
Knuckles quavered at the door. She straightened herself, turned, and called out definitely, “Come in.” Mrs. Benson stood before her, vast, massive, black-gowned, cloudy for trouble, a cook.
There was instantly to be observed in Miss Percival's lifted head and eyes the same frank appeal for interchange of sentiments as had been manifested to Minnie the maid. Her brows were smoothed out, her smile became less dubious; her intention to be friendly was deliberately expressed. But truth will have it that, just as before, Mrs. Benson's guard turned out at the same moment, as at a signal. To vary the figure, her vedettes, in touch with the advancers, fell back upon the main body.
If the young lady perceived this she did not cease to be amiably disposed. “Oh, Mrs. Benson,” she said, “I've had a telegram.”
Mrs. Benson, with strict non-committal, lifted her eyebrows to “Well, well!” It was as if she implied that such things were to be expected in a world full of trouble. “So I hear, Miss Percival,” she grimly said.
“It's from Mr. Ingram, you know.”
“Ah, well—” Mrs. Benson could have been heard to sigh; but among the many things which Miss Percival chose to ignore, this sort of thing was one. Trouble to her, always, was a signal which braced the nerves and sinews.
“It's to say—but I think you had better read it.” It was held out unfalteringly, while Mrs. Benson dived for, opened, wiped, tested, and fixed her spectacles. These operations concluded, it was received as might have been a dangerous explosive.
Punctuating as she went, Mrs. Benson read, “Home to-morrow—seven people—Ingram.” Then she looked, confirmed in her omens, over the rim of her spectacles. “Seven people, Miss Percival! A house-party! And, as you may say, at a moment's notice. Dear, dear, dear!”