1. Premier Rondeau, C minor.
2. La ci darem la mano, B flat major, varié pour le piano, avec accomp. dʼOrchestre.
3. Introduction et Polonaise brillante, C major, pour piano et violincelle.
4. Sonate, C minor, pour le piano (œuvre posthume.)
5. Rondeau à la Mazur, F major, pour le piano.
6. Quatre Mazurkas, F sharp minor, C sharp minor, E major, E flat minor, pour le piano.
7. Cinq Mazurkas, B flat major, A minor, F minor, A flat major, C major.
8. Premier Trio, G minor, pour piano, violin et violincelle.
9. Trois Nocturnes, B minor, E flat major, B major.
10. Douze Grandes Etudes, C major, A minor, E major, C sharp minor, G flat major, E flat minor, C major, F major, F minor, A flat major, E flat major, C minor.
11. Grand Concerto, pour le piano, E minor, avec Orchestre.
12. Variations brillantes, B major, pour le piano, sur le Rondeau favori de Ludovic de Herold. “Je vends des Scapulaires.”
13. Grande Fantaisie, A major, pour le piano sur des airs polonais, avec Orchestre.
14. Krakowiak grand rondeau de Concert, F major, pour le piano, avec Orchestre.
15. Trois Nocturnes, F major, F sharp major, G minor, pour le piano.
16. Rondeau, E flat major.
17. Quatre Mazurkas, B major, E minor, A flat major, A minor.
18. Grande Valse brillante, E flat major.
19. Bolero, C major.
20. Premier Scherzo.
21. Second Concerto, F minor, avec Orchestre.
22. Grande Polonaise brillante, E flat major, précédée dʼun Andante spianato avec Orchestre.
23. Ballade, G minor.
24. Quatre Mazurkas, G minor, C major, A flat major, B minor.
25. Douze Etudes, A flat major, F minor, F major, A minor, E minor, G sharp minor, C sharp minor, D flat major, G flat major, B minor, A minor, C minor.
26. Deux Polonaises, C sharp minor, E flat minor.
27. Deux Nocturnes, C sharp minor, D flat major.
28. Vingt quatre Preludes.
29. Impromptu, A flat major.
30. Quatre Mazurkas, C minor, B minor, D flat major, C sharp minor.
31. Deuxième Scherzo, B minor.
32. Deux Nocturnes, B major, A flat major.
33. Quatre Mazurkas, G sharp minor, D major, C major, B minor.
34. Trois Valses brillantes, A flat major, A minor, F major.
35. Sonate, B minor, avec une Marche funèbre.
36. Deuxième Impromptu, F sharp major.
37. Deux Nocturnes, G minor, G major.
38. Deuxième Ballade, F major.
39. Troisième Scherzo, C sharp minor.
40. Deux Polonaises, A major, C minor.
41. Quatre Mazurkas, C sharp minor, E minor, B major, A flat major.
42. Valse, A flat major.
43. Tarantelle, A flat major.
44. Polonaise, F sharp minor.
45. Prelude, C sharp minor.
46. Allegro de Concert, A major.
47. Troisième Ballade, A flat major.
48. Deux Nocturnes, C minor, F sharp minor.
49. Fantaisie, F minor.
50. Trois Mazurkas, G major, A flat major, C sharp minor.
51. Allegro vivace, Troisième Impromptu, G flat major.
52. Quatrième Ballade, F minor.
53. Huitième Polonaise, A flat major.
54. Scherzo No. 4, E major.
55. Deux Nocturnes, F minor, E flat major.
56. Trois Mazurkas, B major, C major, C minor.
57. Berceuse, D flat major.
58. Sonate, B minor.
59. Trois Mazurkas, A minor, A flat major, F sharp minor.
60. Barcarolle, F sharp major.
61. Polonaise-Fantaisie, A flat major.
62. Deux Nocturnes, B major, E major.
63. Trois Mazurkas, B major, F minor, C sharp minor.
64. Trois Valses, D flat major, C sharp minor, A flat major.
65. Sonate, G minor, pour piano et violincelle.
(b) Posthumous Works.
66. Fantaisie-Impromptu, C sharp minor.
67. Quatre Mazurkas, G major, composed in the year 1835; G minor, 1849; C major, 1835; A minor, 1846.
68. Quatre Mazurkas, C major, 1830; A minor, 1827; F major, 1830; F minor, 1849.
69. Deux Valses, F minor, 1836; B minor, 1829.
70. Trois Valses, G flat major, 1835; F minor, 1843; D flat major, 1830.
71. Trois Polonaises, D minor, 1827; B major, 1828; F minor, 1829.
72. Nocturne, E minor, 1827. Marche funèbre, C minor, 1829, et trois Ecossaises, D major, G major, D flat major, 1830.
73. Rondeau, C major, pour deux pianos, 1828.
74. Seventeen Polish Songs (by Witwicki, Mickiewicz, Zaleski, &c.) with pianoforte accompaniment.
II. Works without Opus Numbers.
Trois nouvelles Etudes, F minor, A flat major, D flat major, extraites de la Méthode des Méthodes.
Grand Duo concertant, E major, pour piano et violincelle sur des thêmes de “Robert le Diable,” par F. Chopin et A. Franchomme.
Mazurka, A minor.
Variations, E major, sur un air national allemand.
Hexaméron. The last variation alone No. 6, E major, composed by Chopin.
Mazurka, A minor.
Polonaise G sharp minor.
Valse, E minor.
[59] Mazurka, F sharp major.
Deux Valses Mélancoliques, F minor, B minor.
⁂ The names of the foreign publishers appended to the above list have been omitted as unnecessary for English readers; nor has it been deemed desirable to give the alphabetical list of persons mentioned in the Work.
FOOTNOTES:
[1] Maximilian Stadler, born at Molk, in Lower Austria, August 4th, 1748, was an excellent pianist and organist. His ecclesiastical compositions were extremely popular in Vienna. In the last years of his life he was much occupied in writing on art, history, and science. He died universally esteemed and beloved in Vienna, November 8th, 1833.
[2] An author and musical connoisseur, born in 1792, died of cholera September, 1831.
[3] An esteemed friend, who was to accompany Chopin to Paris.
[4] Chopin dedicated to Merk his “Introduction et Polonaise Brillante pour piano et violoncello,” (op. 3.)
[5] M. L. Peter Norblin, born in Warsaw, 1781, was first violoncellist at the Grand Opera in Paris, and teacher at the Conservatoire. He died 1852.