CHAPTER I
GREEK RELIGIOUS CONCEPTS

The Jew is presented to the modern world in the double aspect of a race and a religion. In a measure this has always been the case, but we shall not in the least understand what the statement of the fact means without a very close analysis of the concepts of race and religion formed by both Greeks and Romans.

The word religion has a very definite meaning to us. It is the term applied to the body of beliefs that any group of men maintain about supernatural entities upon whom they consider themselves wholly dependent. The salient fact of modern religions is that for most men the group is very large indeed, that it vastly transcends all national limits. Christianity, Islam, and Buddhism, all profess the purpose of gaining the entire human race for their adherents, and have actively attempted to do so. The fact that the religions with which we are most familiar are “world-religions,” and the abstract character of the predicates of the Deity in them, would seem to make religion as such practically free from local limitation. However, that is not completely true even for our time. In the first place, the bulk of Christians, as of Muslims and Buddhists, are in all three cases bearers of a common culture, and have long believed themselves of common descent. They occupy further a continuous, even if very large, area. Religious maps of the world would show solid blocks of color, not spots scattered everywhere. Secondly, even within the limits of the religion itself national boundaries are not wholly expunged. The common Christianity of Spain and England presents such obvious differences that insistence upon them is unnecessary; nor does the fact that Southern Germany, Belgium, and Ireland are all Roman Catholic imply that all these sections have the same religious attitude.

These are modern illustrations, and they represent survivals of a state of things which in the Greek world was fundamental. As it seems to us axiomatic that an abstractly conceived God cannot be the resident of a limited area on the surface of the earth, just so axiomatic it seemed, at one stage of Greek religious growth, that a god was locally limited, that his activities did not extend—or extended only in a weakened form—beyond a certain sharply circumscribed geographical area. That is probably the most fundamental and thoroughgoing of the differences between Greek religious feeling and that of our day. Opinions may differ widely about the degree of anthropomorphism present at the contrasted periods; and then, as now, the statements made about the nature and power of the Deity were contradictory, vague, and confusing. But one thing it is hard to question: the devoutly religious man of to-day feels himself everywhere, always, in the presence of his God. The Greek did not feel that his god was everywhere with him, certainly did not feel that he was everywhere approachable.[[5]]

At another point too we are in great danger of importing modern notions into ancient conditions. Judaism, Christianity, and Islam are all book-religions. The final source of their doctrines is a revelation that has been written down, and is extant as an actual and easily accessible book. Moreover, it is the narrative portion of this book that is the best-known part of it, and that is generally associated in the popular mind with it. In the same way, we are prone to think of Greek religion as a series of extraordinarily beautiful myths or narratives of gods and heroes, which have likewise been written down, and are extant in the poems and dramas of which they are the subject. This view has been greatly strengthened by the unfortunate currency of the epigram that Homer was the Greek Bible. No one would be inclined to force, except as a paradox, the analogy upon which the statement rests; yet the phrase is so terse and simple, and the elements of the comparison are so generally familiar, that consciously and unconsciously current conceptions are moulded by it.

Now if the epigram quoted is essentially true, we have at once a measure of Greek religious feeling, since the Homeric poems are as accessible to us as to the Greeks themselves. We should be compelled to reckon with variety in the interpretation of the text, but in the literal signification there would always be a point of departure. And we should at once realize that for divine beings depicted as they are by Homer a devotion of a very different sort is demanded from that which modern faiths give their Deity. Nor does later literature represent the gods on a loftier moral plane. When we read Aristophanes,[[6]] it becomes still more difficult to understand how the gods could retain their divinity not only when deprived of their moral character, but even when stripped of their dignity. So far from raising the moral character of the divine beings who are the actors in these legends, the later versions of many quite unexceptionable myths deliberately debase them by subjecting most actions to a foully erotic interpretation.[[7]] The less offensive narrative, to be sure, survives as well, but it is to be noted that the divinity of the personages in question seems to be as unquestioned in the corrupt as in the purer form of the story.

How might an emotionally sensitive or mentally trained man pour forth supplication before a guzzling braggart like the Aristophanic Heracles or an effeminate voluptuary like the Apollo of Alexandrian poetry? It seems hard to discover any other defense than the one Charles Lamb offered for the dramatists of the Restoration—that the world the gods moved in was a wholly different one from the human world; a world in which moral categories had no existence, a Land of Cockayne without vices, because it was without the sanctions which vice disregards. No doubt some Greeks felt in this way toward the myths. But it was not a satisfactory theory. It introduced a dualism into standards of conduct that soon became intolerable, when men reflected seriously upon other sides of the divine nature, and drew inferences from it.

As a matter of fact, the difficulty we find in addressing words of prayer and praise to such unworthy gods as sat upon the Homeric Olympus is modern, and was probably not felt at all by the vast majority of Greeks, either in Homer’s time or later. Not that the fraud, cruelty, faithlessness there exhibited seemed to the Greeks of any epoch commendable or imitable qualities. Even the Homeric Greek was far from being in a barbarous or semi-barbarous state. Civic virtues as between men were known and practised. But the personality of the individual gods in these stories could be disregarded in practice, because they were in no sense a part of the Greek religion. The chastest of men might with a clear conscience worship the lecherous Zeus, because worship did not at all concern itself with the catalogue of his amours. In Homer’s time and after, the Greek firmly believed that the Olympians were actually existing beings, but he scarcely stopped to ask himself whether it was literally true that Zeus had bidden Hera be silent under threats of personal violence. What did concern him in his relation with his gods was the disposition in which the god was likely to be toward him or his people. And his religious activity was directed to the end of making that disposition as good as possible.

The matter just set forth is far from being new doctrine; but for the general reader it must be constantly re-emphasized, because it is constantly forgotten. We continually find the Greek myths discussed in terms that would be true only of the Gospel narratives, and we see the Greek gods described as though they possessed the sharpness of personal outline which the Deity has in the minds of believing Christians. It is no doubt the extant literature—a florilegium at best—that is at fault in the matter. This literature, it must be remembered, was not preserved altogether by accident. To a large extent it represents a conscious selection, made for pedagogic purposes. The relative coherence which Greek myths have for us is due to the fact that the surviving poems and dramas which contain them were selected, partially at least, by Hellenistic and Byzantine schoolmasters in order to fit into a set cycle or scheme. Even in what we have there is abundant evidence that the myths about the gods could pretend to no sanctity for anybody, devout or scoffer, for the simple reason that they negated themselves, that widely differing and hopelessly contradictory stories were told of the same event or person.

In reality the Greek myths were not coherent. It is hard to discover in many of them a folkloristic kernel that had to be kept intact. Almost everywhere we are dealing with the free fantasies of highly imaginative poets. So fully was this understood that the stories most familiar to us are generally alluded to in serious Greek literature with an apologetic, ὡς oἱ ποιηταί φασι, “as the poets say,” or some similar phrase. And as these stories were largely unrelated, so also were the gods of whom they were told, even though they bore the same name. If mythographers had taken the trouble to collect all the stories known of any one god—Hermes, for example—there would be nothing except the common name to indicate that they referred to the same chief actor, and much that, except for the common name, would be referred to different gods. Not even a single prominent trait, not a physical feature, would be found to run through all the myths so collected.