At the sight of the monument Rudolf felt the emotion which it awakens in every spectator. On a rectangular stone pedestal lies the life-size bronze figure of Baudin, draped to the breast in a cloak, the left hand hanging in the relaxation of death, while the right convulsively clutches a symbolical table of laws, with the inscription "La Loi," through which passes a treacherous rent. Baudin's face is that of a middle-aged man, with commonplace features, smooth-shaven lips and chin, and the regulation whiskers. But this ordinary countenance becomes grand and heroic by a horrible hole in the forehead, from which blood and brains have gushed. Oh, how such a hole in the brow, pierced by a bullet sent to murder liberty, transfigures a man's visage! A supernatural radiance appears to stream from this tragical opening, into which we cannot gaze without having our eyes overflow with tears.
Rudolf was more touched by the unspeakably pathetic monument than any of the others who reverently surrounded it; for he remembered how narrowly he, too, had escaped a fate akin to that of the martyr before whose statue he had unexpectedly wandered. As he followed the path toward the exit from the cemetery, he again saw himself on the terrible night of December 3d and 4th, 1851, lying weltering in his blood, with failing consciousness, upon the wet pavement of the Rue Montmartre, a bullet in his right hip. The memory of that moment was so vivid, that he fancied he again felt the pain in his hip and began to limp, as he had done for months after the wound. In the broad avenue leading to the main entrance new visions rose before him, made still more intense by the recollections of the coup d'etat evoked by the sight of Baudin's grave. At the right he saw the monument of Gottfried Cavaignac in the midst of the great common grave, into which all the nameless victims of the street fights were thrown in a horrible medley. This blood-stained bit of earth surrounds a circular border of flowers, in whose centre, above a low mound covered with stone slabs, rises a plain iron cross. Rudolf entered the sinister circle and paused beside it. Very peculiar emotions stole over him. It seemed as though he were standing within a cabalistic line which divided him from the world and life. The air within the magic circle appeared more chill than without. He imagined he felt a stir and tremor in the ground beneath his feet as if the dead below were moving, and scraping with their bony fingers on the cover of their narrow abode.
"I should now be lying there with the rest, if the bullet had taken a little different course!" he thought, drawing a long breath of relief. He glanced around him. At the foot of the cross was a heap of wreaths and bouquets, and several women were kneeling on the stone slabs, murmuring silent prayers. "Are there still, after the lapse of twenty-seven years, mourners who remember the dead? No one would have come for my sake, if they had thrown me there too."
He was standing beside one of the kneeling women, at whom he gazed with deep sympathy. She was dressed in black, a long black veil hung from her head, and she seemed wholly absorbed in her fervour. Feeling a steady gaze fixed upon her, she involuntarily looked up. Their eyes met. She sank back with a stifled cry which seemed to issue from a throat suddenly compressed. Involuntarily stretching her arms toward him, while her eyes half closed and consciousness seemed failing, her blanching lips whispered:
"Rudolf! Rudolf!"
He had retreated a step, astonished and bewildered, at the first cry, now he caught the fainting woman in his arms, drew her to his breast, and murmured in a hollow tone:
"Pauline! Is it possible! Pauline!"
She tottered to her feet, her knees trembled, she laid both hands on his shoulders and gazing steadily at him with head thrown back and dilated eyes, said:
"Is it really you! Is it you, Rudolf. You are alive!"
"So you believed me dead?" he asked in a trembling voice, bowing his head.