The façade, or entrance side, fronted towards the prairie—the latter forming a noble lawn that extended to the edge of the horizon—in comparison with which an imperial park would have shrunk into the dimensions of a paddock.
The architecture of Casa del Corvo, like that of other large country mansions in Mexico, was of a style that might be termed Morisco-Mexican: being a single story in height, with a flat roof—azotea—spouted and parapeted all round; having a courtyard inside the walls, termed patio, open to the sky, with a flagged floor, a fountain, and a stone stairway leading up to the roof; a grand entrance gateway—the saguan—with a massive wooden door, thickly studded with bolt-heads; and two or three windows on each side, defended by a grille of strong iron bars, called reja. These are the chief characteristics of a Mexican hacienda; and Casa del Corvo differed but little from the type almost universal throughout the vast territories of Spanish America.
Such was the homestead that adorned the newly acquired estate of the Louisiana planter—that had become his property by purchase.
As yet no change had taken place in the exterior of the dwelling; nor much in its interior, if we except the personnel of its occupants. A physiognomy, half Anglo-Saxon, half Franco-American, presented itself in courtyard and corridor, where formerly were seen only faces of pure Spanish type; and instead of the rich sonorous language of Andalusia, was now heard the harsher guttural of a semi-Teutonic tongue—occasionally diversified by the sweeter accentuation of Creolian French.
Outside the walls of the mansion—in the village-like cluster of yucca-thatched huts which formerly gave housing to the peons and other dependants of the hacienda—the transformation was more striking. Where the tall thin vaquero, in broad-brimmed hat of black glaze, and chequered serapé, strode proudly over the sward—his spurs tinkling at every step—was now met the authoritative “overseer,” in blue jersey, or blanket coat—his whip cracking at every corner; where the red children of Azteca and Anahuac, scantily clad in tanned sheepskin, could be seen, with sad solemn aspect, lounging listlessly by their jacalés, or trotting silently along, were now heard the black sons and daughters of Ethiopia, from morn till night chattering their gay “gumbo,” or with song and dance seemingly contradicting the idea: that slavery is a heritage of unhappiness!
Was it a change for the better upon the estate of Casa del Corvo?
There was a time when the people of England would have answered—no; with a unanimity and emphasis calculated to drown all disbelief in their sincerity.
Alas, for human weakness and hypocrisy! Our long cherished sympathy with the slave proves to have been only a tissue of sheer dissembling. Led by an oligarchy—not the true aristocracy of our country: for these are too noble to have yielded to such, deep designings—but an oligarchy composed of conspiring plebs, who have smuggled themselves into the first places of power in all the four estates—guided by these prurient conspirators against the people’s rights—England has proved untrue to her creed so loudly proclaimed—truculent to the trust reposed in her by the universal acclaim, of the nations.
On a theme altogether different dwelt the thoughts of Louise Poindexter, as she flung herself into a chair in front of her dressing-glass, and directed her maid Florinda to prepare her for the reception of guests—expected soon to arrive at the hacienda.