“But whom?”
“All de white gen’l’m. De young planter, de officer ob de Fort—all ob dem. Wif you hair, Miss Looey, I could dem all make conquess.”
“Ha—ha—ha!” laughed the young lady, amused at the idea of Florinda figuring under that magnificent chevelure. “You think, with my hair upon your head, you would be invincible among the men?”
“No, missa—not you hair alone—but wif you sweet face—you skin, white as de alumbaster—you tall figga—you grand look. Oh, Miss Looey, you am so ’plendidly bewful! I hear de white gen’l’m say so. I no need hear em say it. I see dat for masef.”
“You’re learning to flatter, Florinda.”
“No, ’deed, missa—ne’er a word ob flattery—ne’er a word, I swa it. By de ’postles, I swa it.”
To one who looked upon her mistress, the earnest asseveration of the maid was not necessary to prove the sincerity of her speech, however hyperbolical it might appear. To say that Louise Poindexter was beautiful, would only be to repeat the universal verdict of the society that surrounded her. A single glance was sufficient to satisfy any one upon this point—strangers as well as acquaintances. It was a kind of beauty that needed no discovering—and yet it is difficult to describe it. The pen cannot portray swell a face. Even the pencil could convey but a faint idea of it: for no painter, however skilled, could represent upon cold canvas the glowing ethereal light that emanated from her eyes, and appeared to radiate over her countenance. Her features were purely classic: resembling those types of female beauty chosen by Phidias or Praxiteles. And yet in all the Grecian Pantheon there is no face to which it could have been likened: for it was not the countenance of a goddess; but, something more attractive to the eye of man, the face of a woman.
A suspicion of sensuality, apparent in the voluptuous curving of the lower lip—still more pronounced in the prominent rounding beneath the cheeks—while depriving the countenance of its pure spiritualism, did not perhaps detract from its beauty. There are men, who, in this departure from the divine type, would have perceived a superior charm: since in Louise Poindexter they would have seen not a divinity to be worshipped, but a woman to be loved.
Her only reply vouchsafed to Florinda’s earnest asseveration was a laugh—careless, though not incredulous. The young Creole did not need to be reminded of her beauty. She was not unconscious of it: as could be told by her taking more than one long look into the mirror before which her toilet was being made. The flattery of the negress scarce called up an emotion; certainly not more than she might have felt at the fawning of a pet spaniel; and she soon after surrendered herself to the reverie from which the speech had aroused her.
Florinda was not silenced by observing her mistress’s air of abstraction. The girl had evidently something on her mind—some mystery, of which she desired the éclaircissement—and was determined to have it.