It takes place out on the open plain by the lake’s edge, upon a portion of the grass ground, all visible from the ravine’s head. The arena is purposely chosen for the palefaces to be spectators of it, that it may strike terror to their souls, by giving them a foretaste of what is to be their fate. For it is the “Fandango de crancos,” anglicé, scalp-dance.
What they on the mountain first see is some half-score of the savages issuing forth from the corral and taking their way to the appointed spot. They bear with them a long pole painted blood-red, recognisable as one of the wagon-tongues, drawn to a sharp point at its inner end. In a trice it is stuck upright in the turf, showing at its top something very different from the chains late there. It is the skin of a human head, with the hair hanging straggled down, light-coloured hair proclaiming it that of a paleface. They could crown that pole with scores of such scalps, many having their leggings fringed with them. But for the rites of the ceremony to be performed one is deemed sufficient; and to make it more terribly impressive, the one selected shows by the silken gloss of the hair with its luxuriance and length to have been taken from the head of a woman! There are women looking at it now, and young girls of different ages. For all have left the spring and come forward to the viewing-point. It is a sight to inspire them with awe enough of itself, without their being told of a certain and terrible signification attached to the fact of a woman’s scalp being fixed to the head of that pole instead of a man’s. Pedro Vicente could make it known to them, but does not.
Ere long the ceremonial of vengeful menace commences, the Indians approaching the ensanguined stake and forming in wide cordon around it; all of them in full war-paint, a fresh coat of it in their garish devices of various colours, scarlet and blood-red predominating. But there is one common to all, a symbol in white—the same borne by him who is sleeping his last sleep in the corral. They have but assumed it for the occasion to do honour to their dead chief. And a frightful form of demonstration it is. Over two hundred men, mahogany-coloured savages, all naked to the waist, each with a death’s head and crossbones done in white gypsum on the central and prominent portion of his breast! ’Twere enough to awe the heart of any one within their reach or in their power, and many of the spectators above tremble at beholding the horrid insignia.
The dance begins, the savages in circle tramping round and round the pole “how-howing” as they go, at first in slow step and with voice barely audible. Soon, however, the one quickens, the other becoming louder, till the step is a violent bounding, the voice raised to highest pitch. Louder and angrier grow the shouts as they turn their eyes upward to the scalp, and still more violent their gesticulations, arms in air with weapons whirled above their heads, till at length several rush at the reddened stake, and hack it down with their tomahawks. Then follows a confused struggle for the scalp, in which it is torn to pieces, all who can appropriating shred or tress, but to spit upon it in vindictive scorn, while still further rending it!
The demoniac dance is now over; some it has most excited come rushing towards the ravine, as though they really meant risking an assault. All above draw back out of sight, only they appointed for the defence staying by the stone artillery. But they are not called upon to hurl any more down just yet. Warned by the event of overnight, the savages think better of it, and before getting too close, come to a stop, and content themselves with wordy threats and a brandishing of weapons.
But, empty and impotent as is their menacing attitude, it makes deep impression on those against whom it is directed. For it tells them they may never more go down that gorge, or set foot upon the plain below, to live an hour, if a minute, after.