“Who bade thee meddle in this, Sancho?” said Don Quixote.
“Who, señor?” said Sancho; “I meddle for I have a right to meddle, as a squire who has learned the rules of courtesy in the school of your worship, the most courteous and best-bred knight in the whole world of courtliness; and in these things, as I have heard your worship say, as much is lost by a card too many as by a card too few, and to one who has his ears open, few words.”
“Sancho is right,” said the duke; “we’ll see what the countess is like, and by that measure the courtesy that is due to her.”
And now the drums and fife made their entrance as before; and here the author brought this short chapter to an end and began the next, following up the same adventure, which is one of the most notable in the history.
CHAPTER XXXVIII.
WHEREIN IS TOLD THE DISTRESSED DUENNA’S TALE OF HER MISFORTUNES
Following the melancholy musicians there filed into the garden as many as twelve duennas, in two lines, all dressed in ample mourning robes apparently of milled serge, with hoods of fine white gauze so long that they allowed only the border of the robe to be seen. Behind them came the Countess Trifaldi, the squire Trifaldin of the White Beard leading her by the hand, clad in the finest unnapped black baize, such that, had it a nap, every tuft would have shown as big as a Martos chickpea; the tail, or skirt, or whatever it might be called, ended in three points which were borne up by the hands of three pages, likewise dressed in mourning, forming an elegant geometrical figure with the three acute angles made by the three points, from which all who saw the peaked skirt concluded that it must be because of it the countess was called Trifaldi, as though it were Countess of the Three Skirts; and Benengeli says it was so, and that by her right name she was called the Countess Lobuna, because wolves bred in great numbers in her country; and if, instead of wolves, they had been foxes, she would have been called the Countess Zorruna, as it was the custom in those parts for lords to take distinctive titles from the thing or things most abundant in their dominions; this countess, however, in honour of the new fashion of her skirt, dropped Lobuna and took up Trifaldi.
The twelve duennas and the lady came on at procession pace, their faces being covered with black veils, not transparent ones like Trifaldin’s, but so close that they allowed nothing to be seen through them. As soon as the band of duennas was fully in sight, the duke, the duchess, and Don Quixote stood up, as well as all who were watching the slow-moving procession. The twelve duennas halted and formed a lane, along which the Distressed One advanced, Trifaldin still holding her hand. On seeing this the duke, the duchess, and Don Quixote went some twelve paces forward to meet her. She then, kneeling on the ground, said in a voice hoarse and rough, rather than fine and delicate, “May it please your highnesses not to offer such courtesies to this your servant, I should say to this your handmaid, for I am in such distress that I shall never be able to make a proper return, because my strange and unparalleled misfortune has carried off my wits, and I know not whither; but it must be a long way off, for the more I look for them the less I find them.”