“This book,” said the barber, opening another, “is the ten books of the ‘Fortune of Love,’ written by Antonio de Lofraso, a Sardinian poet.”
“By the orders I have received,” said the curate, “since Apollo has been Apollo, and the Muses have been Muses, and poets have been poets, so droll and absurd a book as this has never been written, and in its way it is the best and the most singular of all of this species that have as yet appeared, and he who has not read it may be sure he has never read what is delightful. Give it here, gossip, for I make more account of having found it than if they had given me a cassock of Florence stuff.”
He put it aside with extreme satisfaction, and the barber went on, “These that come next are ‘The Shepherd of Iberia,’ ‘Nymphs of Henares,’ and ‘The Enlightenment of Jealousy.’”
“Then all we have to do,” said the curate, “is to hand them over to the secular arm of the housekeeper, and ask me not why, or we shall never have done.”
“This next is the ‘Pastor de Filida.’”
“No Pastor that,” said the curate, “but a highly polished courtier; let it be preserved as a precious jewel.”
“This large one here,” said the barber, “is called ‘The Treasury of various Poems.’”
“If there were not so many of them,” said the curate, “they would be more relished: this book must be weeded and cleansed of certain vulgarities which it has with its excellences; let it be preserved because the author is a friend of mine, and out of respect for other more heroic and loftier works that he has written.”
“This,” continued the barber, “is the ‘Cancionero’ of Lopez de Maldonado.”
“The author of that book, too,” said the curate, “is a great friend of mine, and his verses from his own mouth are the admiration of all who hear them, for such is the sweetness of his voice that he enchants when he chants them: it gives rather too much of its eclogues, but what is good was never yet plentiful: let it be kept with those that have been set apart. But what book is that next it?”