No! The remedy is to consider our mortal destiny without flinching, to fasten our gaze upon the gaze of the Sphinx, for it is thus that the malevolence of its spell is discharmed.
If we all die utterly, wherefore does everything exist? Wherefore? It is the Wherefore of the Sphinx; it is the Wherefore that corrodes the marrow of the soul; it is the begetter of that anguish which gives us the love of hope.
Among the poetic laments of the unhappy Cowper there are some lines written under the oppression of delirium, in which, believing himself to be the mark of the Divine vengeance, he exclaims—
Hell might afford my miseries a shelter.
This is the Puritan sentiment, the preoccupation with sin and predestination; but read the much more terrible words of Sénancour, expressive of the Catholic, not the Protestant, despair, when he makes his Obermann say, "L'homme est périssable. Il se peut; mais périssons en résistant, et, si le néant nous est réservé, ne faisons pas que ce soit une justice." And I must confess, painful though the confession be, that in the days of the simple faith of my childhood, descriptions of the tortures of hell, however terrible, never made me tremble, for I always felt that nothingness was much more terrifying. He who suffers lives, and he who lives suffering, even though over the portal of his abode is written "Abandon all hope!" loves and hopes. It is better to live in pain than to cease to be in peace. The truth is that I could not believe in this atrocity of Hell, of an eternity of punishment, nor did I see any more real hell than nothingness and the prospect of it. And I continue in the belief that if we all believed in our salvation from nothingness we should all be better.
What is this joie de vivre that they talk about nowadays? Our hunger for God, our thirst of immortality, of survival, will always stifle in us this pitiful enjoyment of the life that passes and abides not. It is the frenzied love of life, the love that would have life to be unending, that most often urges us to long for death. "If it is true that I am to die utterly," we say to ourselves, "then once I am annihilated the world has ended so far as I am concerned—it is finished. Why, then, should it not end forthwith, so that no new consciousnesses, doomed to suffer the tormenting illusion of a transient and apparential existence, may come into being? If, the illusion of living being shattered, living for the mere sake of living or for the sake of others who are likewise doomed to die, does not satisfy the soul, what is the good of living? Our best remedy is death." And thus it is that we chant the praises of the never-ending rest because of our dread of it, and speak of liberating death.
Leopardi, the poet of sorrow, of annihilation, having lost the ultimate illusion, that of believing in his immortality—
Peri l'inganno estremo
ch'eterno io mi credei,
spoke to his heart of l'infinita vanitá del tutto, and perceived how close is the kinship between love and death, and how "when love is born deep down in the heart, simultaneously a languid and weary desire to die is felt in the breast." The greater part of those who seek death at their own hand are moved thereto by love; it is the supreme longing for life, for more life, the longing to prolong and perpetuate life, that urges them to death, once they are persuaded of the vanity of this longing.