For Irene, though, as the unquestioned possessor of a voice, a solo had been interpolated. She was to repeat, for the first time on the professional stage, that renowned success in "The Zingara" which school exhibitions had made famous.
Just before the time came for Split to sing, Sissy was hovering about the prima donna in the dressing-room. As Miss Heliotrope she wore the dark-purple gown which Aunt Anne had made over from her own wardrobe. (Being Comstock-born, Sissy knew no flower intimately, and could easily be imposed upon as to their habits and colors.) Above it her round little dark face looked almost sallow, in spite of the excited red that flamed in her cheeks.
The atmosphere of a theater was like wine to the Madigans. The smell of escaping gas in the dark was, in itself, enough to transport them by association of ideas out of the workaday world; and emotion due to a dramatic situation was the one evidence of sensibility they permitted themselves.
Yet Sissy, who was tying the ribbons on Split's tambourine, looked in vain for a reflection of that fever of delight which possessed herself. Split was cross. She was languid. She was dull. She did not seem to enjoy even the pair of slippers she was pulling on. They had been given to Sissy by Henrietta Blind-Staggers, and their newness and beauty had tempted the poor Zingara. But if Sissy had not felt that the family fortunes were at stake, as she always did in the matter of a public appearance, she would never have made so generous an offer of her cherished property.
"But they seem awful tight, Split," she suggested.
"They're nothing of the sort," snapped Split, wincing as she rose to her feet.
"I don't see how you're going to dance in them."
"Will you just leave that to me, Miss Cecilia Morgan Madigan, and mind your own business?"
"'I don't see how you're going to dance in them'"