Deeply offended, Sissy withdrew. No one called her Cecilia Morgan Madigan who did not want to wound her to the soul and remind her of an incident it were more generous to forget. She went out to the wings and stood there looking upon the stage and Professor Trask, who, as the Recluse, was gowned in mysterious flowing black, while he chanted "Here would I rest" in a hollow bass. But Sissy was worried. Not even being behind the scenes could still her apprehensions about Split. She longed to confide in some fellow-Madigan, but Kate was on the other side of the stage, and to all her winks and beckonings turned an uninterested back. Then, all at once, sooner than she expected, the Recluse departed, the scenes shifted; there, alone on the stage, looking white in the glare of the footlights, was a bedizened, big-eyed, panting little Zingara, and the syncopated prelude began.
Sissy's fingers thrummed it sympathetically upon her knee, but Trask, who was playing the accompaniment behind the scenes, had put an unfamiliar accent upon the notes. Out on the stage the Zingara was beating her tambourine sadly out of time and was longing, with a panicky fear, for the familiar touch of Sissy's hand upon the piano.
"Dum—dum-de-dum-dum—dum-dum—dum-dum!"
The notes came like a warning signal. The Zingara's throat was parched, her feet ached excruciatingly merely from carrying her weight—how, oh, how was she going to dance?
"Dum—dum-de-dum-dum—dum-dum—dum-dum!"
The last note prolonged itself into a summons. The Zingara's eye, turning from the faces that danced before her, sent appealing glances to the wings, where Sissy yearned toward her, all rivalry drowned in a mothering anxiety for her success.
"'I'm a—mer-ry, meh-hi-ri-y—Zin-ga-ra!'" wailed Split, trying to get her breath. "'From a—gold-e-en—clime I come!'"
Sissy's hands flew to her breast, then with a wild gesture up over her ears, and she fled back to the dressing-room. Split the redoubtable, Split the invincible, the impudent, ready, pugnacious Split had stage-fright! The world rocked beneath Sissy's feet. Time stopped, and all the world stood agape witnessing a Madigan's failure! It seemed to the third of them that she could never bear to lift her head again and meet a Comstocker's eye and see there that shameful record against the family. But she scrambled quickly to her feet when Irene came running in, "The Zingara" all unsung.
Irene's face was white and her eyes glittered. Sissy did not dare meet them, for, to a Madigan, to put a shame in words or looks was to double and triple it. She did not dare to condole; she had no heart to accuse. So she bent down again, ostensibly to tie her shoe, in order to give the furious little Zingara time to recover and to begin to undress. She heard the tambourine's tingling clatter as it was cast to the floor. She looked anywhere but at her sister, but she heard buttons give and buttonholes rend, and bowed her head to the storm.
"I must say," she remarked in a scornfully careless tone when the silence became oppressive, "that Trask plays funny accompaniments." And she lifted her head, fancying herself rather clever in finding a scapegoat.