“Paris, December 1879.
“I have read the proclamation you mention. It is impossible to conceive anything more astounding and cynical. How will such revolutionary proceedings forward the reforms with which, sooner or later, the Tsar will crown his reign? That which the Socialists are doing in the name of Russia is foolish and insolent. But equally false is their pretence of readiness to shake hands with all parties and to leave the Emperor in peace as soon as he summons a Parliament. This is not what they really aim at, for they mean to go further—to a socialist-republic, or to anarchy. But no one will swallow this bait. Even were a constitution granted to Russia in the remote future, the first act of the Zemstvo should be extermination of this band of murderers who hope to become the leaders of the country.”
To N. F. von Meck.
“Paris, December 3rd (15th), 1879.
“The sketch of my Concerto is finished and I am very pleased with it, especially with the Andante. Now I shall take in hand the revision of my Second Symphony, of which only the last movement can be left intact. I published this work through Bessel in 1872, as a return for the trouble he took over the performance of The Oprichnik.... For seven years he has led me a dance over the engraving of the score—always putting me off with the assurance that it would soon be ready. I was sometimes furious with him, but his lack of conscience has proved itself a blessing in disguise!... If I succeed in working steadily in Rome, I shall make a good work out of my immature, mediocre symphony.”
VIII
After spending a few days in Turin, Tchaikovsky reached Rome on December 8th (20th), 1879. From thence he wrote, on the 12th (24th), to Frau von Meck:—
“Yesterday we made a pilgrimage to S. Pietro in Montorio. Probably you know the place, therefore I need not describe the beauty of the view from the terrace below the church. To-day I visited San Giovanni in Laterano and carried away some profound artistic impressions. I also went to Scala Santa. High Mass was being celebrated in the church. The choir sang a Mass a capella and also with the organ. Quite modern music, utterly unsuitable in church, but beautifully sung. What voices there are in Italy! The tenor gave a solo, in the style of a wretched operatic aria, in such a magnificent voice that I was quite carried away. But the Mass itself lacks that solemn, poetical atmosphere with which our liturgy is surrounded.”
To N. F. von Meck.
“Rome, December 13th (25th), 1879.