“It is Christmas here to-day. We went to Mass at St. Peter’s. What a colossal edifice—this cathedral!”
To N. F. von Meck.
“Rome, December 15th (27th), 1879.
“Yesterday we went up Monte Testaccio, with its lovely view of Rome and the Campagna. From there we visited S. Paolo Fuori le Mura, a basilica of huge proportions and vast wealth. To-day I am going for the first time to ‘do’ the Forum thoroughly. This has a three-fold interest for me because I am just reading Ampère’s Histoire romaine à Rome, in which all that has taken place in this building is minutely described.
“I have a very good piano now. I got a few volumes of Bach’s works from Ricordi, and play a number of them, alone, or four-handed, with my brother Modeste. But work will not come back to me. Rome and Roman life are too characteristic, too exciting and full of variety, to permit of my sticking to my writing-table. However, I hope the power of work will gradually return. Yesterday I heard a charming popular song, of which I shall certainly make use some future day.”
To P. I. Jurgenson.
“Rome, December 19th (31st), 1879.
“Dear Friend,— ... Nicholas Rubinstein’s opinion that my Suite is so difficult that it is impossible, has surprised and annoyed me very much. Either Rubinstein is mistaken, or I must give up composing; one or the other. Why, it is my chief anxiety to write more easily and simply as time goes on, and the more I try—the worse I succeed! It is dreadful!
“I asked Taneiev to write and tell me what actually constituted these terrible difficulties. I feel a little hurt that none of my friends telegraphed to me after the performance. I am forgotten. The one interest which binds me to life is centred in my compositions. Every first performance marks an epoch for me. Can no one realise that it would have been a joy to receive a few words of appreciation, by which I should have known that my new work had been performed and had given pleasure to my friends?
“I do not understand what you say about the ‘Marche Miniature.’ We never cut it out. The March was to be kept, but as it was not suitable as No. 5 it was to be published at the end of the Suite.... For God’s sake answer my letters quicker. Your communication has upset my nerves and I feel as ill as a dog.”