"Never mind, good woman," said Timar, laughing. "Almira would really make a capital gamekeeper. But look, I have shot a couple of snipe; I thought they would be a help toward the supper that you will set before your guests."

"I will fetch them; get into your boat, and when you come back, just leave your gun at home, for, believe me, if the dog sees you with a gun on your arm, she will take it away from you. You can't joke with her."

"So I find. A powerful, grand animal that! Before I had time to defend myself, I was on the ground: I can only thank Heaven that she did not bite my head off."

"Oh, she never bites any one; but if you defend yourself, she seizes your arm in her teeth, as if it were in irons, and then holds you fast till we come and call her off. Auf Weidersehen!"

In less than an hour the larger boat had landed its passengers safely at the island. All the way from the vessel to the shore, Timar talked to Timéa of Almira and Narcissa, to make the poor child forget her sickness and her fear of the water. As soon as she set foot on shore, her seasickness vanished.

Timar went on in front to show the way; Timéa followed, leaning on Euthemio's arm; and two sailors and the steersman carried behind them on a stretcher the equivalent of the barter in sacks. Almira's bark was heard a long way off. These were the sounds of welcome by which the dog acknowledged the approach of good friends. Almira came half-way, barked at the whole party, then had a little talk to the sailors, the steersman, and Timar; then trotting to Timéa, tried to kiss her hand. But when the dog came to Euthemio, it was quiet, and began to sniff at him from the soles of his feet upward, never leaving his heels. It snuffed continually, and shook its head violently, rattling its ears till they cracked. It had its own opinion on this subject.

The mistress of the island settlement awaited the strangers at the door, and as soon as they appeared between the trees, called in a loud voice, "Noémi!"

At this summons some one appeared from inside the garden. Between two tall thick raspberry hedges, which, like green walls, almost closed in an arch at the top, came a young girl. Face and form those of a child just beginning to develop, dressed in a white chemise and petticoat, and carrying in her upturned overskirt fruit freshly plucked.

The figure coming out of the green grove is idyllic. The delicate tints of her face seem to have been borrowed from the complexion of the white rose when she is grave, and take that of the red rose when she blushes, and that up to the brow. The expression of the clear-arched brow is personified sweet temper, in complete accord with the innocent look of the expressive blue eyes; on the tender lips lies a mixture of devoted regard and modest shyness. The rich and luxuriant golden-brown hair seems to be curled by nature's hand; a lock thrust back gives a view of an exquisite little ear. Over the whole face gentle softness is spread. It is possible that a sculptor might not take each feature as a model, and perhaps if the face were hewn in marble one might not think it beautiful; but the head and the whole figure, just as they are, shine with a loveliness which charms at the first glance, and inthralls more every moment.

From one shoulder the chemise has dropped, but, that it may not remain uncovered, there sits a white cat, rubbing her head against the girl's cheek. The delicate feet of the maiden are naked—why should she not go barefoot? She walks on a carpet of richest velvet. The spring turf is interspersed with blue veronica and red geranium.