"Why, it is Nutsgrove! I am in the drawing-room!" she cries, rubbing her startled eyes. "The chairs, the carpet, the curtains, are different; but the room—the room is the same. What does it mean? Who brought me here?"
A buxom housekeeper who has been bandaging her foot answers at once,
"The master, Mr. Armstrong, brought you here, miss, in his dog-cart about twenty minutes ago. He saw you lying in a dead faint under a tree in the grove as he was driving home from Kelvick. I hope you feel better now; I bathed your foot in hot water according to his directions, and the swelling went down a good deal. The doctor will be here in a minute. Ah, here he is already!"
Dr. Newton, after a hurried inspection, says that the ankle is only slightly sprained, bandages it up again, orders an embrocation to be applied twice a day, and then speeds off to a dying patient.
"You are looking much better, Miss Lefroy; are you quite free from pain now?"
Addie turns with a start and finds the new master of Nutsgrove standing behind her.
He is a tall heavily-built man of about thirty-eight, keen-eyed, rugged-featured, with a dark strong face, the lower part of which is entirely concealed by a tawny brown beard hanging low on his broad chest. A decidedly powerful looking plebeian is Tom Armstrong of Kelvick.
"Thank you—almost," she answers, a little flurried by his massive incongruous appearance in that well-known room. "I feel quite restored now; and I have to thank you, Mr. Armstrong, very much for your prompt and kindly rescue."
"Pray don't mention it, Miss Lefroy; I was only too glad to have been of assistance to you. You quite startled me at first, you looked so still and white lying on the ground."
"I wish he'd sit down, or move away, or do something," thinks Addie impatiently; "he's so big, he oppresses me and spoils the room." Aloud she says, with a slightly nervous laugh, "I fell from the tree, you know, and broke your lovely branch. It was so—so funny! I had just been reading about the hanging gardens of—of—what's its name?"