"Babylon."
"Yes, Babylon—when down I came with such a thud! I suppose I must have fainted then, or something, though I can't understand how I did such a silly thing; it's the first time in my life it ever happened."
"You must have had a very heavy fall."
"Oh, but I've had much worse falls than that! I've come through trap doors in lofts no end of times. I crashed through a glass-house once and cut myself horribly. I've been bitten by dogs, had my hands squeezed in doors and wedged in machinery—all sorts of accidents, in fact—and I certainly never fainted after them. I'm sure I don't know what the boys will say when they hear of it." She stops suddenly, with an air of startled dignity, seeing the ghost of a smile hover round her host's bearded mouth. "But I am detaining you, Mr. Armstrong; pray—"
"You are not indeed, Miss Lefroy," he answers easily. "I am free from business in the afternoon. Would you not like me to send a message to your aunt to let her know where you are, as the doctor thinks it advisable that you should rest here for an hour before moving again?"
"It is not necessary, thank you. I told her I should probably not return until the evening, so she won't be uneasy. I'm very sorry to have to trespass so long on your hospitality," she says stiffly.
He waves aside the apology without comment.
"You must have found it very strange to awake and discover yourself in this room, Miss Lefroy. Did you know where you were at once?"
"Yes, and—no. It was such a surprise, I could not tell whether I was asleep or awake at first," she answers more naturally. "You—you have not changed the room so much, Mr. Armstrong; the tone of the paintings, of the carpet and curtains, is much as it was, and you have many of the old things too. That's mother's old screen by the fireplace, just as it always stood. She worked it when she was a girl at school. But that corner over there by the second window is quite different—where that jardinière stands, I mean. That used to be my special little parlor. I kept my old work-box there, papier-mâché desk, and two little padded baskets for Andrew Jackson and the Widow Malone."
"For whom?"