"The poor people here—or most of them—are used to her, and in a way respect her. They take her as inevitable—like the rent or the east wind; and when she sends them coal and blankets, and builds village halls for them, they think they might be worse off. On the other hand, I don't see that Coryston makes much way among them. They think his behavior to his mother unseemly; and if they were he, they would use all his advantages without winking. At the same time, there is a younger generation growing up in the village and on the farms—not so much there, however!—which is going to give Lady Coryston trouble. Coryston puzzles and excites them. But they, too, often look askance; they wonder what he, personally, is going to get out of his campaign.

"And then—Marcia? For in this book, this locked book, may I not call her by her name? Well, she is certainly no prophetess among these countryfolk. She takes up no regular duties among the poor, as the women of her family have probably always done. She is not at her ease with them; nor they with her. When she tries to make friends with them she is like a ship teased with veering winds, and glad to shrink back into harbor. And yet when something does really touch her—when something makes her feel—that curious indecision in her nature hardens into something irresistible. There was a half-witted girl in the village, ill-treated and enslaved by a miserly old aunt. Miss Coryston happened to hear of it from her maid, who was a relation of the girl. She went and bearded the aunt, and took the girl away bodily in her pony-cart. The scene in the cottage garden—Marcia with her arm round the poor beaten and starved creature, very pale, but keeping her head, and the old virago shrieking at her heels—must have been worth seeing. And there is an old man—a decrepit old road-mender, whose sight was injured in a shooting accident. She likes his racy talk, and she never forgets his Christmas present or his birthday, and often drops in to tea with him and his old wife. But that's because it amuses her. She goes to see them for precisely the same reasons that she would pay a call in Mayfair; and it's inspiriting to see how they guess, and how they like it. You perceive that she is shrinking all the time from the assumptions on which her mother's life is based, refusing to make them her own, and yet she doesn't know what to put in their place. Does Coryston, either?

"But the tragic figure—the tragic possibility—in all this family galère at the present moment, of course, is Arthur. I know, because of our old Cambridge friendship—quite against my will—a good deal about the adventure into which he has somehow slipped; and one can only feel that any day may bring the storm. His letter to me yesterday shows that he is persecuting the lady with entreaties, that she is holding him off, and that what Lady Coryston may do when she knows will greatly affect what the young lady will do. I don't believe for one moment that she will marry a penniless A. She has endless opportunities, and, I am told, many proposals—"

The journal at this point was abruptly closed and locked away. For the writer of it, who was sitting at an open window of the library, became aware of the entrance of a motor into the forecourt of the house. Arthur Coryston was sitting in it. When he perceived Lester at the window he waved to the librarian, and jumping from the car as it drew up at the front door, he came across the court to a side door, which gave access to the library staircase.

As he entered the room Lester was disagreeably struck by his aspect. It was that of a man who has slept ill and drunk unwisely. His dress was careless, his eyes haggard, and all the weaknesses of the face seemed to have leaped to view, amid the general relaxation of tenue and dignity. He came up to the chair at which Lester was writing, and flung himself frowning into a chair beside it.

"I hear mother and Marcia are away?"

"They have gone to Hoddon Grey for the Sunday. Didn't you know?"

"Oh yes, I knew. I suppose I knew. Mother wrote something," said the young man, impatiently. "But I have had other things to think about."

Lester glanced at him, but without speaking. Arthur rose from his seat, thrust his hands into his pockets, and began to pace the polished floor of the library. The florid, Georgian decoration of ceiling and walls, and the busts of placid gentlemen with curling wigs which stood at intervals among the glass cases, wore an air of trivial or fatuous repose beside the hunted young fellow walking up and down. Lester resolutely forbore to cross-examine him. But at last the walk came to an abrupt stop.

"Here's the last straw, Lester! Have you heard what mother wants me to do? There's to be a big Tory meeting here in a month—mother's arranged it all—not a word to me with your leave, or by your leave!—and I'm to speak at it and blackguard Glenwilliam! I have her letter this morning. I'm not allowed a look in, I tell you! I'm not consulted in the least. I'll bet mother's had the bills printed already!"