Pray, do not mock me:
I am a very foolish, fond old man,
Fourscore and upwards; and to deal plainly with you,
I fear I am not in my perfect mind.
Methinks I should know you, and know this man,
Yet I am doubtful: for I am mainly ignorant
What place this is; and all the skill I have
Remembers not these garments; nor I know not
Where I did lodge last night. Do not laugh at me;
For as I am a man, I think this lady
To be my child Cordelia.
CORDELIA.
And so I am, I am.
LEAR.
Be your tears wet? Yes, faith. I pray you weep not
If you have poison for me I will drink it.
I know you do not love me; for your sisters
Have, as I do remember, done me wrong:
You have some cause, they have not.
CORDELIA.
No cause, no cause!
As we do not estimate Cordelia's affection for her father by the coldness of her language, so neither should we measure her indignation against her sisters by the mildness of her expressions. What, in fact, can be more eloquently significant, and at the same time more characteristic of Cordelia, than the single line when she and her father are conveyed to their prison:—
Shall we not see these daughters and these sisters?
The irony here is so bitter and intense, and at the same time so quiet, so feminine, so dignified in the expression, that who but Cordelia would have uttered it in the same manner, or would have condensed such ample meaning into so few and simple words?