Before the fireplace, where there was no fire, stood a large old-fashioned easy-chair, with no one in it. Are you very sure there is no one in it?—for Papa himself has a certain awe of that strangely-placed seat, which seems to have stood before that same fireplace for many a year. In the twilight, Agnes, if you were alone—you, who of all the family are most inclined to a little visionary superstition, you would find it very hard to keep from trembling, or to persuade yourself that Miss Bridget was not there, where she had spent half a lifetime, sitting in that heavy old easy-chair.
The carpet was a faded but rich and soft old Turkey carpet, the furniture was slender and spider-legged, made of old bright mahogany, as black and as polished as ebony. There was an old cabinet in one corner, with brass rings and ornaments; and in another an old musical instrument, of which the girls were not learned enough to know the precise species, though it belonged to the genus piano. The one small square table in the middle of the room was covered with a table-cover, richly embroidered, but the silk was faded, and the bits of gold were black and dull; and there were other little tables, round and square, with spiral legs and a tripod of feet, one holding a china jar, one a big book, and one a case of stuffed birds. On the whole, the room had somewhat the look of a rather refined and very prim old lady. The things in it were all of a delicate kind and antique fashion. It was not in the slightest degree like these fair and fresh young girls, but on the whole it was a place of which people like those, with a wholesome love of ancestry, had very good occasion to be proud.
And at the door stood Hannah, in a black gown and great white apron, smoothing down the same with her hands, and bobbing a kindly curtsy. Hannah’s eyes were running over with delight and anxiety to get at Bell and Beau. She passed over all the rest of the family to yearn over the little ones. “Eh, bless us!” cried Hannah, as, the thunder over, Mrs Atheling began to bestir herself—“children in the house!” It was something almost too ecstatic for her elderly imagination. She volunteered to carry them both up-stairs with the most eager attention. “I ain’t so much used to childer,” said Hannah, “but, bless ye, ma’am, I love ’um all the same;” and with an instinctive knowledge of this love, Beau condescended to grasp Hannah’s spotless white apron, and Bell to mount into her arms. Then the whole family procession went up-stairs to look at the bedrooms—the voices of the girls and the sweet chorus of the babies making the strangest echoes in the lonely house. Hannah acknowledged afterwards, that, half with grief for Miss Bridget, and half for joy of this new life beginning, it would have been a great relief to her to sit down upon the attic stairs and have “a good cry.”
CHAPTER XIV.
WITHIN AND WITHOUT.
The upper floor of the Old Wood Lodge consisted of three rooms; one as large as the parlour down stairs, one smaller, and one, looking to the back, very small indeed. The little one was a lumber-room, and quite unfurnished; the other two were in perfect accordance with the sitting-room. The best bedroom contained a bed of state, with very slender fluted pillars of the same black ebony-like wood, lifting on high a solemn canopy of that ponderous substance called moreen, and still to be found in country inns and seaside lodgings—the colour dark green, with a binding of faded violet. Hangings of the same darkened the low broad lattice window, and chairs of the same were ranged like ghosts along the wall. It was rather a funereal apartment, and the eager investigators were somewhat relieved to find an old-fashioned “tent,” with hangings of old chintz, gay with gigantic flowers, in the next room. But the windows!—the broad plain lying low down at their feet, twinkling to the first faint sun-ray which ventured out after the storm—the cluster of spires and towers over which the light brightened and strengthened, striking bold upon the heavy dome which gave a ponderous central point to the landscape, and splintering into a million rays from the pinnacles of Magdalen and St Mary’s noble spire, all wet and gleaming with the thunder rain. What a scene it was!—how the passing light kindled all the wan waters, and singled out, for a momentary illumination, one after another of the lesser landmarks of that world unknown. These gazers were not skilled to distinguish between Gothic sham and Gothic real, nor knew much of the distinguishing differences of noble and ignoble architecture. After all, at this distance, it did not much matter—for one by one, as the sunshine found them out, they rose up from the gleaming mist, picturesque and various, like the fairy towers and distant splendours of a morning dream.
“I told you it was pretty, Agnes,” said Mr Atheling, who felt himself the exhibitor of the whole scene, and looked on with delight at the success of his private view. Papa, who was to the manner born, felt himself applauded in the admiration of his daughters, and carried Beau upon his shoulder down the creaking narrow staircase, with a certain pride and exultation, calling the reluctant girls to follow him. For lo! upon Miss Bridget’s centre table was laid out “such a tea!” as Hannah in all her remembrance had never produced before. Fresh home-made cakes, fresh little pats of butter from the nearest farm—cream! and to crown all, a great china dish full of the last of the strawberries, blushing behind their fresh wet leaves. Hannah, when she had lingered as long as her punctilious good-breeding would permit, and long enough to be very wrathful with Mrs Atheling for intercepting a shower of strawberries from the plates of Bell and Beau, retired to her kitchen slowly, and drawing a chair before the fire, though the evening still was sultry, threw her white apron over her head, and had her deferred and relieving “cry.” “Bless you, I’ll love ’um all,” said Hannah, with a succession of sobs, addressing either herself or some unseen familiar, with whom she was in the habit of holding long conversations. “But it ain’t Miss Bridget—that’s the truth!”
The ground was wet, the trees were damp, everything had been deluged with the shower of the thunderstorm, and Mrs Atheling did not at all think it prudent that her daughters should go out, though she yielded to them. They went first through the fertile garden, where Marian thought “everything” grew—but were obliged to pause in their researches and somewhat ignorant guesses what everything was, by the unknown charm of that sweet rural atmosphere “after the rain.” Though it was very near sunset, the birds were all a-twitter in the neighbouring trees, and everywhere around them rose such a breath of fragrance—open-air fragrance, fresh and cool and sweet, as different from the incense of Mrs Edgerley’s conservatory as it was from anything in Bellevue. Running waters trickled somewhere out of sight—it was only the “running of the paths after rain;” and yonder, like a queen, sitting low in a sweet humility, was the silent town, with all its crowning towers. The sunshine, which still lingered on Hannah’s projecting window in the roof, had left Oxford half an hour ago—and down over the black dome, the heaven-y-piercing spire and lofty cupola, came soft and grey the shadow of the night.
But behind them, through a thick network of foliage, there were gleams and sparkles of gold, touching tenderly some favourite leaves with a green like the green of spring, and throwing the rest into a shadowy blackness against the half-smothered light. Marian ran into the house to call Hannah, begging her to guide them up into the wood. Agnes, less curious, stood with her hand upon the gate, looking down over this wonderful valley, and wondering if she had not seen it some time in a dream.
“Bless you, miss, if it was to the world’s end!” cried Hannah; “but it ain’t fit for walking, no more nor a desert; the roads is woeful by Badgeley; look you here!—nought in this wide world but mud and clay.”
Marian looked in dismay at the muddy road. “It will not be dry for a week,” said the disappointed beauty; “but, Hannah, come here, now that I have got you out, and tell us what every place is—Agnes, here’s Hannah—and, if you please, which is the village, and which is the Hall, and where is the Old Wood House?”