“Do you see them white chimneys—and smokes?” said Hannah; “they’re a-cooking their dinner just, though tea-time’s past—that’s the Rector’s. But, bless your heart, you ain’t likely to see the Hall from here. There’s all the park and all the trees atween us and my lord’s.”
“Do the people like him, Hannah?” asked Agnes abruptly, thinking of her friend.
Hannah paused with a look of alarm. “The people—don’t mind nothink about him,” said Hannah slowly. “Bless us, miss, you gave me such a turn!”
Agnes looked curiously in the old woman’s face, to see what the occasion of this “turn” might be. Marian, paying no such attention, leaned over the low mossy gate, looking in the direction of the Old Wood House. They were quite disposed to enjoy the freedom of the “country,” and were neither shawled nor bonneted, though the fresh dewy air began to feel the chill of night. Marian leaned out over the gate, with her little hand thrust up under her hair, looking into the distance with her beautiful smiling eyes. The road which passed this gate was a grassy and almost terraced path, used by very few people, and disappearing abruptly in an angle just after it had passed the Lodge. Suddenly emerging from this angle, with a step which fell noiselessly on the wet grass, meeting the startled gaze of Marian in an instantaneous and ghostlike appearance, came forth what she could see only as, against the light, the figure of a man hastening towards the high-road. He also seemed to start as he perceived the young unknown figures in the garden, but his course was too rapid to permit any interchange of curiosity. Marian did not think he looked at her at all as she withdrew hastily from the gate, and he certainly did not pause an instant in his rapid walk; but as he passed he lifted his hat—a singular gesture of courtesy, addressed to no one, like the salutation of a young king—and disappeared in another moment as suddenly as he came. Agnes, attracted by her sister’s low unconscious exclamation, saw him as well as Marian—and saw him as little—for neither knew anything at all of his appearance, save so far as a vague idea of height, rapidity—and the noble small head, for an instant uncovered, impressed their imagination. Both paused with a breathless impulse of respect, and a slight apprehensiveness, till they were sure he must be out of hearing, and then both turned to Hannah, standing in the shadow and the twilight, and growing gradually indistinct all but her white apron, with one unanimous exclamation, “Who is that?”
Hannah smoothed down her apron once more, and made another bob of a curtsy, apparently intended for the stranger. “Miss,” said Hannah, gravely, “that’s Mr Louis—bless his heart!”
Then the old woman turned and went in, leaving the girls by themselves in the garden. They were a little timid of the great calm and silence; they almost fancied they were “by themselves,”—not in the garden only, but in this whole apparent noiseless world.
CHAPTER XV.
THE PARLOUR.
And with an excitement which they could not control, the two girls hastened in to the Old Lodge, and to Miss Bridget’s dim parlour, where the two candles shed their faint summer-evening light over Mr Atheling reading an old newspaper, and Mamma reclining in the great old easy-chair. The abstracted mirror, as loftily withdrawn from common life as Mr Endicott, refused to give any reflection of these good people sitting far below in their middle-aged and respectable quietness, but owned a momentary vision of Agnes and Marian, as they came in with a little haste and eagerness at the half-open door.
But, after all, to be very much excited, to hasten in to tell one’s father and mother, with the heart beating faster than usual against one’s breast, and to have one’s story calmly received with an “Indeed, my dear!” is rather damping to youthful enthusiasm; and really, to tell the truth, there was nothing at all extraordinary in the fact of Louis passing by a door so near the great house which was his own distasteful home. It was not at all a marvellous circumstance; and as for his salutation, though that was remarkable, and caught their imagination, Marian whispered that she had no doubt it was Louis’s “way.”
They began, accordingly, to look at the slender row of books in one small open shelf above the little cabinet. The books were in old rich bindings, and were of a kind of reading quite unknown to Agnes and Marian. There were two (odd) volumes of the Spectator, Rasselas, the Poems of Shenstone, the Sermons of Blair; besides these, a French copy of Thomas-à-Kempis, the Holy Living and Dying of Jeremy Taylor, and one of the quaint little books of Sir Thomas Browne. Thrust in hastily beside these ancient and well-attired volumes were two which looked surreptitious, and which were consequently examined with the greatest eagerness. One turned out, somewhat disappointingly, to be a volume of Italian exercises, an old, old school-book, inscribed, in a small, pretty, but somewhat faltering feminine handwriting—handwriting of the last century—with the name of Anastasia Rivers, with a B. A. beneath, which doubtless stood for Bridget Atheling, though it seemed to imply, with a kindly sort of blundering comicality sad enough now, that Anastasia Rivers, though she was no great hand at her exercises, had taken a degree. The other volume was of more immediate interest. It was one of those good and exemplary novels, ameliorated Pamelas, which virtuous old ladies were wont to put into the hands of virtuous young ones, and which was calculated to “instruct as well as to amuse” the unfortunate mind of youth. Marian seized upon this Fatherless Fanny with an instant appropriation, and in ten minutes was deep in its endless perplexities. Agnes, who would have been very glad of the novel, languidly took down the Spectator instead. Yes, we are obliged to confess—languidly; for, with an excited mind upon a lovely summer night, with all the stars shining without, and only two pale candles within, and Mamma visibly dropping to sleep in the easy-chair—who, we demand, would not prefer, even to Steele and Addison, the mazy mysteries of the Minerva Press?