[74] Carter, Thomas T.: The Life of Nicholas Ferrar, p. 102.
[75] The Term Catalogues illustrate the permanence of this interest. Edward Cocker was one of the best-known calligraphers in the second half of the seventeenth century. One of his works is England's Penman, or Cocker's new Copy-Book, containing all the curious Hands practised in England and our neighboring Nations with admirable directions peculiar to each Hand. So also the Breaks of Secretary, Roman, and Italian Letters; with the exemplifying Court-hand, and an exact copy of the Greek alphabet. (1679.)
[76] Ballard: Memoirs, p. 188.
[77] Dyce: Specimens, p. 510.
[78] Dyce: Specimens, pp. 271-80.
[79] Strype, John: The Life and Acts of John Whitgift, vol. III, p. 383.
[80] Monroe, Paul: Cyclopædia of Education, under "Women, Higher Education of."
[81] Love's Labour's Lost, Act IV, Sc. 2. (1591.)
[82] A Midsummer Night's Dream, Act III, Sc. 2. (1594-95.)
[83] See Chambers, Mary C. E.: The Life of Mary Ward, ed. by Henry James Coleridge; Mary Salome (Mother): Mary Ward, a Foundress of the Seventeenth Century.