In a somewhat less degree the same condition exists in relation to medicine, especially in the realms most definitely in the hands of women. Mrs. Pilkington tells us that her father was the first man midwife in England, but nearly all the books on midwifery were written by men. Two women, however, appear in print, in a discussion of their professional work. Mrs. Jane Sharp's book is entitled The Midwives' Book, or the whole Art of midwifery discovered, directing Child-bearing Women how to behave themselves in their Conception, Breeding, Bearing, and Nursing, of Children. In Six Books. By Mrs. Jane Sharp, Practitioner in the Art of Midwifery above thirty years.[148]

Mrs. Elizabeth Cellier, a second writer on midwifery, is known perhaps chiefly because she was supposed to have some connection with the Meal Tub Plot. After her acquittal from treason charges she wrote a pamphlet called Malice Defeated, in which she courageously expressed her adherence to an unpopular cause in the words, "I do not yet so much fear the smell of Newgate as to be frighted for telling the truth; nor is death so great a terror to me, but that I am still ready to seal the same with my blood."[149] She must have been a woman of substance as well as courage, for she was fined a thousand pounds because of certain passages in this pamphlet. She was also condemned to stand in the pillory three times, a punishment which, according to Lady Russell, she bore with intrepidity and nonchalance, protecting her head from missiles by means of a battledore which she held up with one hand, while with the other she gathered up and put into her pocket all the stones that fell within her reach.

In her profession of midwifery Mrs. Cellier was of high repute, but her interests were not circumscribed by her own practice. One of her schemes was the establishment of a "Colledg of Midwives" where the best possible training should be given. Though her pamphlet, entitled A Scheme for the Foundation of a Royal Hospital and raising a revenue of 5000 l or 6000 l a year by and for the Maintenance of a Corporation of Skilful Midwives, did not result in the establishment of her proposed college, the idea and the formulation of the plan do credit to her foresight and intelligence, and sound quite in line with modern forms of woman's civic enterprise.

The seventeenth and eighteenth centuries could show a long list of interesting and elaborately worked-out books on housewifery in general and cooking in particular, but it seldom happens that one of these books is by a woman. It is, to be sure, not impossible that more of the material was furnished by women than is apparent on the surface. Very many of the books on housekeeping matters were anonymous and were probably mere publishers' compilations from unacknowledged sources, and in such cases the actual material may have come from various housewives. But during the century I have come upon but three women who published under their own names the results of their experiences as cooks. The earliest of these was Mrs. Hannah Woolley. She was born about 1623. Her mother and elder sisters are said to have been "very well skilled in physick and chirurgery" and they taught her in her youth. She was twice married, the first time to a schoolmaster named Woolley, and then to a Mr. Francis Challinor. She is known usually as Mrs. Woolley. One of her books, The Queen-like Closet, or A rich Cabinet stored with all manner of rare Receipts for preserving, Candying, and Cookery. Very pleasant and beneficial to all ingenuous persons of the Female Sex, reached its eleventh edition by 1696. Mrs. Woolley had been governess in two noble families and had acquired definite ideas as to polite behavior. This knowledge also she committed to the printed page. On manners, but especially on household management, she wrote as an authority and received due recognition.

Another book, by a woman whose initials I have not been able to expand into a name, is the following: The Cook's New Years Gift, Cookery refined, or The Lady, Gentlewoman and Servant-maid's Companion: containing the Art of dressing all sorts of Flesh, Fish, and Fowl, various ways, after the newest Mode; with their proper seasonings, sauces, Garnishes, serving up and carving, etc. By Mrs. A. M. a long practiser of this curious Art. (Term Catalogues, Mich. 1697. Mich. 1700.)

The work of Mrs. Woolley in the seventeenth century found its most worthy counterpart in the eighteenth century in Hannah Glasse's The Art of Cookery Made Plain and Easy, which far exceeds any Thing of the kind ever yet Published.... By a Lady. London. Printed for the Author; and sold at Mrs. Ashburn's, a China-Shop, the Corner of Fleet Ditch, 1747. The book was issued with about two hundred subscribers. A fourth edition in octavo came out in 1751, a ninth edition in 1759, and many later editions. In her Preface Mrs. Glasse said, "If I have not wrote in the high polite Stile I hope I shall be forgiven, for my Intention is to instruct the lower Sort, therefore treat them in their own Way. For Example: when I bid them lard a Fowl, if I should bid them lard with large Lardoons, they would not know what I want: But when I say they must lard with small Pieces of Bacon, they know what I mean." The new element in her book was this attempt to write out receipts that were simple enough to come into general use.

WRITERS ON RELIGION AND THEOLOGY

The Term Catalogues for 1670-1713 show how great was the preponderance during those years of books on "Divinity." That women should share in this prevailing interest is but natural, for religion came within the accepted canon of the truly feminine. And there are evidences of an even greater amount of devotional writing by women than might be expected. The period 1650 to 1750, and especially the first half of that period, could show a long list of women noted for lives of piety and good works.[150] The loose living characteristic of the court apparently had its reaction towards exceptional spiritual rigor on the part of many ladies of rank. And of these devout ladies no small number found in the composition of religious verse or prose the intellectual and emotional outlet denied them in other ways. Almost none of this writing was meant for a public. The reams of meditations, prayers, and reflections left in manuscript were merely a private resource, and often kept secret even from the author's family. Such writings were in their nature fugitive, and it would only now and then happen that some relative or friend would collect and order the papers and see them through the press. We accordingly get scattered hints through funeral sermons and casual notices of an amount of devotional writing greatly in excess of that published. But to tabulate even all the published material would be wearisome and to no good end. A few illustrative examples showing the chief characteristics may suffice.

Lady Elizabeth Brooke (1601-1683)

One of the best examples of the persistent and prodigious industry shown by some of these ladies is the work of Lady Elizabeth Brooke. She began at thirty to make notes on sermons, to copy extracts from commentaries, and occasionally to write out some personal opinions, and she kept at this sedative occupation till her death fifty-two years later. It is painful to reflect on such a mass of undigested material, but the significant fact remains that she preferred such reading and writing to the ordinary interests of her sex. Some of her "Observations and Rules for Practice" were published as an appendix to the sermon preached at her funeral. Selections from her writings were published as late as 1828 in The Lady's Monitor.