THE LEARNED LADY IN ENGLAND
[CHAPTER I]
LEARNED LADIES IN ENGLAND BEFORE 1650
1. Prefatory Statement
The theme to which this volume is specifically limited is the position and achievements of learned women in England in the period between 1650 and 1760. But before entering upon this detailed study it seems desirable to give a preliminary sketch of the work of learned women in England before 1650. In such a sketch it is, indeed, a temptation to go farther back along the path of history than a single volume would allow. It is difficult, for instance, to avoid some account of the women of genius notable in the great days of Greece and Rome.[1] More fascinating still would be a close study of the learned nuns of the Middle Ages.[2] St. Radegunde, Abbess of Poitiers, a poet of considerable distinction; St. Hilda, who governed her double monastery at Whitby so successfully as to put it "in the forefront of intellectual agencies in Great Britain"; the group of learned nuns who corresponded with St. Boniface, chief among them being St. Lioba, who made of her convent at Bischopsheim, Germany, "the most important educational center in that part of Europe"; Hroswitha of Gandersheim, whose seven dramas "caused the tragic muse to emerge once more from the midnight gloom of the Middle Ages";[3] St. Hildegard, "the most voluminous woman writer of the Middle Ages"; St. Herrad, author of an encyclopædic work entitled Hortus Deliciarum, or Garden of Delight—these are but a few of the women whose lives and works offer a field for profitable and interesting investigation.
Emily James Putnam, in her acute study, The Lady, says of this convent life:
No institution of Europe has ever won for the lady the freedom and development that she enjoyed in the convent in the early days. The modern colleges for women only feebly reproduce it, since the college for women has arisen when colleges in general are under a cloud. The lady-abbess, on the other hand, was part of the two great social forces of her time, feudalism and the Church. Great spiritual rewards and great worldly prizes were alike within her grasp. She was treated as an equal by men of her time as is witnessed by letters we still have from popes and emperors to abbesses. She had the stimulus of competition with men in executive capacity, in scholarship, and in artistic production, since her work was freely set before the general public: but she was relieved by the circumstances of her environment from the ceaseless competition in common life of woman with woman for the favor of the individual man. In the cloister of the great days, as on a small scale in the college for women to-day, women were judged by each other as men are everywhere judged by each other, for sterling qualities of head and heart and character.[4]
From mediæval poems and romances also come glimpses, tantalizingly brief and casual, to be sure, yet glimpses indicative of a tendency to count learning as one of the possible charms of a heroine.[5] The delightful lady in Cursor Mundi, who was described as "learnyd, ware and wise," was also said to be "of much price lovéd." A later maid, likewise of "grete prys," could vie with a modern college girl in the variety and extent of her knowledge:
Wyse sche was and curtes of mowthe,
All the vii arse sche cowthe.
She had maystures at hur honde,