When Swift first saw little Mrs. Pilkington as a bride he exclaimed, "What, this poor little Child married! God help her, she is early in Trouble."[336] The words were prophetic, for the troubles began very soon. They were engendered by literary jealousy, for Mr. Pilkington was a poet on his own account. Compliments to the wife became as wormwood to the husband, especially when such compliments were accompanied by frank depreciation of his own talents. Swift once put a question to Mrs. Pilkington and received her answer. Mr. Pilkington then entered the room and was asked the same question and gave an unsatisfactory answer. "P-x on you for a Dunce," said the Dean. "Were your Wife and you to sit for a Fellowship, I would give her one, sooner than admit you a Sizar." From that time on Mr. Pilkington viewed his wife "with scornful yet with jealous eyes."[337]
On another occasion the two wrote odes in imitation of Horace. Angered at her success Mr. Pilkington told her that a Needle was more becoming to a Woman's Hand than a Pen, and was placated only when the lady consigned her own ode to the flames and highly praised his. Her comment is: "And here let me seriously advise every Lady, who has the Misfortune to be poetically turned, never to marry a Poet.... If a Man cannot bear his Friend should write, much less can he endure it in his Wife; it seems to set them too much on a Level with their Lords and Masters; and this I take to be the true Reason why even Men of Sense discountenance Learning in Women, and commonly choose for Mates the most illiterate and stupid of the Sex; and bless their Stars their Wife is not a Wit."[338] Jealousy was, however, the least of Mr. Pilkington's faults. He soon proved himself "the arrantest rogue in England." The action he brought against his wife for divorce was not sustained by the courts, but the outcome of it was that he abandoned her and her two children, and she was left penniless. She went to London where she lived a life compounded of misfortunes and misdemeanors.
In the Memoirs she gives in extenso the various expedients whereby she tried to get a living. One of the most successful was as a public letter-writer for which she issued the following card:
Letters written here on any Subject, except on the Law, Price Twelvepence; Petitions also Drawn at the same Rate. Mem. Ready Money, no Trust.[339]
Under cover of getting subscriptions for the Memoirs, she really lived on the charities of the charitable and what she euphemistically termed "contributions from the great." Colley Cibber[340] especially befriended her and urged her to push forward the Memoirs. But spite of all aid her course was downward. At one time she was even imprisoned for debt.[341] On her release she tried to keep a print and pamphlet shop,[342] but failed. And finally she wandered back to Dublin where she died at thirty-eight.
The one book by which Mrs. Pilkington is known is her Memoirs, the three volumes of which appeared in 1748. In 1754 a third edition appeared with an additional volume by her son. Shortly after her death there appeared a compilation entitled The Celebrated Mrs. Pilkington's Jests; or, The Cabinet of Wit and Humour. In the Memoirs the early happy life in Dublin and the later tricks and shifts and intrigues of the London life are described with equal frankness. The result was a tarnished fame as a woman, but an undisputed reputation as a clever writer. When the Earl of Chesterfield wondered that she could write English so well, she sent word to his lordship that Dr. Swift had been her tutor.
As a literary critic Mrs. Pilkington is especially severe on the immorality of some contemporary women writers. Speaking of a lady who had refused to subscribe to her book she said:
She would have purchased my Book sooner than the Bible, to indulge her private Meditations, Especially if I had the wicked Art of painting up Vice in attractive Colours, as too many of our Female Writers have done, to the Destruction of Thousands, amongst whom Mrs. Manly and Mrs. Haywood deserve the foremost Rank.
But what extraordinary Passions these Ladies may have experienced, I know not; far be such Knowledge from a Modest Woman: Indeed Mrs. Haywood seems to have dropped her former luscious Stile, and, for Variety presents us with the insipid: Her Female Spectators are a Collection of trite Stories, delivered to us in stale and worn-out Phrases: Bless'd Revolution!
Yet of the two, less dang'rous is th' Offence