At this point, I became telepathically aware that I was considered crazy, so I changed the subject.

I am often asked how I happened to meet my publishers and “get in with them,” and as a very great favour to me, and to them, I am offered the privilege of sending them some “splendid novel which was written by a friend” of somebody—as they know me, “they have decided to let my publishers have the book!”

They are surprised to hear me say that I have never met any member of the firm, though I was in the same city with them for over a year. More than this, there is nothing on earth, except a green worm, which would scare me so much as a summons to that publishing house.

I have walked by in fear and trembling. I have seen a huge pile of my books in the window, and on the bulletin board a poster which bore my name in conspicuous letters, as if I had been cured of something. But I should no more dare to go into that office than I should venture to call upon the wife of the President with a shawl over my head, and my fancywork tucked under my arm.

This is incomprehensible to the uninitiated. The publishers have ever been most courteous and kind. They are people with whom it is a pleasure to have any sort of business dealings, but we are not bosom friends—and I very much fear that they do not care to become chummy with me.

There may be some authors who have taken nerve tonics and are not afraid to meet an editor or publisher. I have even read of some who will walk cheerfully into an editorial sanctum—but I’ve never seen a sanctum, nor an editor, nor a publisher. I don’t even write to an editor when I send him a piece—just put in a stamp. He usually knows what to do with it.

Fame, or long experience, may enable authors to meet the arbiters of their destiny without becoming frightened, but I have had brief experience, and still less fame. The admirable qualities of the pachyderm may have been bestowed upon some authors—but not on this one.


The Man Behind the Gun