We set out at a little past eleven, and made our first stage to Manchester. We were by this time sufficiently Anglicized to reckon the morning a bright and sunny one; although the May sunshine was mingled with water, as it were, and distempered with a very bitter east-wind.

Lancashire is a dreary county (all, at least, except its hilly portions), and I have never passed through it without wishing myself anywhere but in that particular spot where I then happened to be. A few places along our route were historically interesting; as, for example, Bolton, which was the scene of many remarkable events in the Parliamentary War, and in the market-square of which one of the Earls of Derby was beheaded. We saw, along the wayside, the never-failing green fields, hedges, and other monotonous features of an ordinary English landscape. There were little factory villages, too, or larger towns, with their tall chimneys, and their pennons of black smoke, their ugliness of brick-work, and their heaps of refuse matter from the furnace, which seems to be the only kind of stuff which Nature cannot take back to herself and resolve into the elements, when man has thrown it aside. These hillocks of waste and effete mineral always disfigure the neighborhood of iron-mongering towns, and, even after a considerable antiquity, are hardly made decent with a little grass.

At a quarter to two we left Manchester by the Sheffield and Lincoln Railway. The scenery grew rather better than that through which we had hitherto passed, though still by no means very striking; for (except in the show-districts, such as the Lake country, or Derbyshire) English scenery is not particularly well worth looking at, considered as a spectacle or a picture. It has a real, homely charm of its own, no doubt; and the rich verdure, and the thorough finish added by human art, are perhaps as attractive to an American eye as any stronger feature could be. Our journey, however, between Manchester and Sheffield was not through a rich tract of country, but along a valley walled in by bleak, ridgy hills extending straight as a rampart, and across black moorlands with here and there a plantation of trees. Sometimes there were long and gradual ascents, bleak, windy, and desolate, conveying the very impression which the reader gets from many passages of Miss Bronte's novels, and still more from those of her two sisters. Old stone or brick farm-houses, and, once in a while, an old church-tower, were visible; but these are almost too common objects to be noticed in an English landscape.

On a railway, I suspect, what little we do see of the country is seen quite amiss, because it was never intended to be looked at from any point of view in that straight line; so that it is like looking at the wrong side of a piece of tapestry. The old highways and foot-paths were as natural as brooks and rivulets, and adapted themselves by an inevitable impulse to the physiognomy of the country; and, furthermore, every object within view of them had some subtile reference to their curves and undulations; but the line of a railway is perfectly artificial, and puts all precedent things at sixes-and-sevens. At any rate, be the cause what it may, there is seldom anything worth seeing within the scope of a railway traveller's eye; and if there were, it requires an alert marksman to take a flying shot at the picturesque.

At one of the stations (it was near a village of ancient aspect, nestling round a church, on a wide Yorkshire moor) I saw a tall old lady in black, who seemed to have just alighted from the train. She caught my attention by a singular movement of the head, not once only, but continually repeated, and at regular intervals, as if she were making a stern and solemn protest against some action that developed itself before her eyes, and were foreboding terrible disaster, if it should be persisted in. Of course, it was nothing more than a paralytic or nervous affection; yet one might fancy that it had its origin in some unspeakable wrong, perpetrated half a lifetime ago in this old gentlewoman's presence, either against herself or somebody whom she loved still better. Her features had a wonderful sternness, which, I presume, was caused by her habitual effort to compose and keep them quiet, and thereby counteract the tendency to paralytic movement. The slow, regular, and inexorable character of the motion—her look of force and self-control, which had the appearance of rendering it voluntary, while yet it was so fateful— have stamped this poor lady's face and gesture into my memory; so that, some dark day or other, I am afraid she will reproduce herself in a dismal romance.

The train stopped a minute or two, to allow the tickets to be taken, just before entering the Sheffield station, and thence I had a glimpse of the famous town of razors and penknives, enveloped in a cloud of its own diffusing. My impressions of it are extremely vague and misty,—or, rather, smoky: for Sheffield seems to me smokier than Manchester. Liverpool, or Birmingham,—smokier than all England besides, unless Newcastle be the exception. It might have been Pluto's own metropolis, shrouded in sulphurous vapor; and, indeed, our approach to it had been by the Valley of the Shadow of Death, through a tunnel three miles in length, quite traversing the breadth and depth of a mountainous hill.

After passing Sheffield, the scenery became softer, gentler, yet more picturesque. At one point we saw what I believe to be the utmost northern verge of Sherwood Forest,—not consisting, however, of thousand-year oaks, extant from Robin Hood's days, but of young and thriving plantations, which will require a century or two of slow English growth to give them much breadth of shade. Earl Fitzwilliam's property lies in this neighborhood, and probably his castle was hidden among some soft depth of foliage not far off. Farther onward the country grew quite level around us, whereby I judged that we must now be in Lincolnshire; and shortly after six o'clock we caught the first glimpse of the Cathedral towers, though they loomed scarcely huge enough for our preconceived idea of them. But, as we drew nearer, the great edifice began to assert itself, making us acknowledge it to be larger than our receptivity could take in.

At the railway-station we found no cab (it being an unknown vehicle in Lincoln), but only an omnibus belonging to the Saracen's Head, which the driver recommended as the best hotel in the city, and took us thither accordingly. It received us hospitably, and looked comfortable enough; though, like the hotels of most old English towns, it had a musty fragrance of antiquity, such as I have smelt in a seldom-opened London church where the broad-aisle is paved with tombstones. The house was of an ancient fashion, the entrance into its interior court-yard being through an arch, in the side of which is the door of the hotel. There are long corridors, an intricate arrangement of passages, and an up-and-down meandering of staircases, amid which it would be no marvel to encounter some forgotten guest who had gone astray a hundred years ago, and was still seeking for his bedroom while the rest of his generation were in their graves. There is no exaggerating the confusion of mind that seizes upon a stranger in the bewildering geography of a great old-fashioned English inn.

This hotel stands in the principal street of Lincoln, and within a very short distance of one of the ancient city-gates, which is arched across the public way, with a smaller arch for foot-passengers on either side; the whole, a gray, time-gnawn, ponderous, shadowy structure, through the dark vista of which you look into the Middle Ages. The street is narrow, and retains many antique peculiarities; though, unquestionably, English domestic architecture has lost its most impressive features, in the course of the last century. In this respect, there are finer old towns than Lincoln: Chester, for instance, and Shrewsbury,—which last is unusually rich in those quaint and stately edifices where the gentry of the shire used to make their winter abodes, in a provincial metropolis. Almost everywhere, nowadays, there is a monotony of modern brick or stuccoed fronts, hiding houses that are older than ever, but obliterating the picturesque antiquity of the street.

Between seven and eight o'clock (it being still broad daylight in these long English days) we set out to pay a preliminary visit to the exterior of the Cathedral. Passing through the Stone Bow, as the city-gate close by is called, we ascended a street which grew steeper and narrower as we advanced, till at last it got to be the steepest street I ever climbed,— so steep that any carriage, if left to itself, would rattle downward much faster than it could possibly be drawn up. Being almost the only hill in Lincolnshire, the inhabitants seem disposed to make the most of it. The houses on each side had no very remarkable aspect, except one with a stone portal and carved ornaments, which is now a dwelling-place for poverty-stricken people, but may have been an aristocratic abode in the days of the Norman kings, to whom its style of architecture dates back. This is called the Jewess's House, having been inhabited by a woman of that faith who was hanged six hundred years ago.