Years later he makes an eloquent appeal to his brother, asking him if he does not remember the dark and beautiful face that used to bend over his cradle, or the voice which told him each night to cross his fingers, after the old Greek orthodox fashion, and utter the words, "In the name of the Father, and of the Son, and of the Holy Ghost."

When he saw his brother's photograph, his heart throbbed; for here, he felt, was the unknown being in whom his mother's life was perpetuated, with the same strange impulses, the same longings, the same resolves as his own.

"My mother's face only I remember," he says in a letter to his sister, Mrs. Atkinson, written from Kumamoto, "and I remember it for this reason. One day it bent over me caressingly. It was delicate and dark, with large black eyes—very large. A childish impulse came to me to slap it. I slapped it—simply to see the result, perhaps. The result was immediate severe castigation, and I remember both crying and feeling I deserved what I got. I felt no resentment, although the aggressor in such cases is usually the most indignant at consequences."


The only person with whom Mrs. Charles Hearn seems to have forgathered amongst her Irish relations was a Mrs. Justin Brenane—"Sally Brenane," Charles Hearn's aunt, on the maternal side. She had married a Mr. Justin Brenane—a Roman Catholic gentleman of considerable means—and had adopted his religion with all the ardour of a convert. Poor, weak, bigoted, kindly old soul! She and Mrs. Charles Hearn had the bond in common of belonging to a religion antagonistic to the prejudices of the people with whom their lot was cast; she also, at that time, was devoted to her nephew Charles. Never having had a child of her own, she longed for something young on which to lavish the warmth of her affection. The delicate, eerie little black-haired boy, Patricio Lafcadio, became prime favourite in the Brenane establishment at Rathmines, and the old lady was immediately fired with the idea of having him educated at a Roman Catholic school, and of making him heir to the ample fortune and property in the County of Wexford left to her by her husband.

In the comfort and luxury of Mrs. Brenane's house, Mrs. Charles Hearn found, for the first time since she had left the Ionian Islands, something she could call a home. She enjoyed, too, in her indolent fashion, driving in Mrs. Brenane's carriage, a large barouche, in which the old lady "took an airing" every day, driving into Dublin when she was at her house at Rathmines for shopping, or to the cathedral for Mass. A curious group, the foreign-looking lady with the flashing eyes, accompanied by her dark-haired, olive-complexioned small boy, garbed in strange garments, with earrings in his ears, as different in appearance as was possible to the rosy-cheeked, sturdy Irish "gossoons" who crowded round, gaping and amused, to gaze at them.

Mrs. Brenane herself was a noteworthy figure, always dressed in marvellous, quaintly-shaped, black silk gowns. Not a speck of dust was allowed to touch these garments, a large holland sheet being invariably laid on the seat of the carriage, and wrapped round her by the footman, when she went for her daily drive.


In July and August, 1853, there are various entries in Susan Hearn's diary, relating to her brother, Charles Hearn, in the West Indies. Yellow fever had broken out and had appeared amongst the troops. Charles had been ill, "a severe bilious attack and intermittent fever." Then, on August 19th: "Letters from dearest Charles, dated July 28th, in great hopes that he may be sent home with the invalids; so we may see him the latter end of September, or the beginning of October." Then comes an entry that he had "sailed with the other invalids for Southampton."

The prospect was all sunlight, not the veriest film of a cloud was apparent to onlookers; yet the air was charged with the elements of storm!