There is an end of philosophizing.
They have ousted me from my pleasant quarters, the landlady’s son and daughter-in-law having returned unexpectedly and claiming their apartments. I have taken refuge in a hotel. My peace is gone; my days in Taranto are numbered.
Loath to depart, I linger by the beach of the Ionian Sea beyond the new town. It is littered with shells and holothurians, with antique tesser» of blue glass and marble fragments, with white mosaic pavements and potteries of every age, from the glossy Greco-Roman ware whose delicately embossed shell devices are emblematic of this sea-girt city, down to the grosser products of yesterday. Of marbles I have found cipollino, pavonazzetto, giallo and rosso antico, but no harder materials such as porphyry or serpentine. This, and the fact that the mosaics are pure white, suggests that the houses here must have dated, at latest, from Augustan times.[[2]]
[2] Nor is there any of the fashionable verde antico, and this points in the same direction. Corsi says nothing as to the date of its introduction, and I have not read the treatise of Silenziario, but my own observations lead me to think that the lapis atracius can hardly have been known under Tiberius. Not so those hard ones: they imported wholesale by his predecessor Augustus, who was anxious to be known as a scorner of luxury (a favourite pose with monarchs), yet spent incalculable sums on ornamental stones both for public and private ends. One is struck by a certain waste of material; either the expense was deliberately disregarded or finer methods of working the stones were not yet in vogue. A revolution in the technique of stone-cutting must have set in soon after his death, for thenceforward we find the most intractable rocks cut into slices thin as card-board: too thin for pavements, and presumably for encrusting walls and colonnades. The Augustans, unable to produce these effects naturally, attempted imitation-stones, and with wonderful success. I have a fragment of their plaster postiche copying the close-grained Egyptian granite; the oily lustre of the quartz is so fresh and the peculiar structure of the rock, with its mica scintillations, so admirably rendered as to deceive, after two thousand years, the eye of a trained mineralogist.
Here I sit, on the tepid shingle, listening to the plash of the waves and watching the sun as it sinks over the western mountains that are veiled in mists during the full daylight, but loom up, at this sunset hour, as from a fabulous world of gold. Yonder lies the Calabrian Sila forest, the brigands’ country. I will attack it by way of Rossano, and thence wander, past Longobucco, across the whole region. It may be well, after all, to come again into contact with streams and woodlands, after this drenching of classical associations and formal civic life!
Near me stands a shore-battery which used to be called “Batteria Chianca.” It was here they found, some twenty years ago, a fine marble head described as a Venus, and now preserved in the local museum. I observe that this fort has lately been re-christened “Batteria Archyta.” Can this be due to a burst of patriotism for the Greek warrior-sage who ruled Taranto, or is it a subtle device to mislead the foreign spy?
Here, too, are kilns where they burn the blue clay into tiles and vases. I time a small boy at work shaping the former. His average output is five tiles in four minutes, including the carrying to and fro of the moist clay; his wages about a shilling a day. But if you wish to see the manufacture of more complicated potteries, you must go to the unclean quarter beyond the railway station. Once there, you will not soon weary of that potter’s wheel and the fair shapes that blossom forth under its enchanted touch. This ware of Taranto is sent by sea to many parts of south Italy, and you may see picturesque groups of it, here and there, at the street corners.
Hardly has the sun disappeared before the lighthouse in the east begins to flash. The promontory on which it stands is called San Vito after one of the musty saints, now almost forgotten, whose names survive along these shores. Stoutly this venerable one defended his ancient worship against the radiant and victorious Madonna; nor did she dislodge him from a certain famous sanctuary save by the questionable expedient of adopting his name: she called herself S. M. “della Vita.” That settled it. He came from Mazzara in Sicily, whither they still carry, to his lonely shrine, epileptics and others distraught in mind. And were I in a discursive mood, I would endeavour to trace some connection between his establishment here and the tarantella—between St. Vitus’ dance and that other one which cured, they say, the bite of the Tarentine spider.
But I am not inclined for such matters at present. The Cala-brian uplands are still visible in the gathering twilight; they draw me onwards, away from Taranto. It must be cool up there, among the firs and beeches.
And a land, moreover, of multiple memories and interests—this Calabria. A land of great men. In 1737 the learned Aceti was able to enumerate over two thousand celebrated Calabrians—athletes, generals, musicians, centenarians, inventors, martyrs, ten popes, ten kings, as well as some sixty conspicuous women. A land of thinkers. Old Zavarroni, born in 1705, gives us a list of seven hundred Calabrian writers; and I, for one, would not care to bring his catalogue up to date. The recently acquired Biblioteca Calabra at Naples alone contains God knows how many items, nearly all modern!