We were now in darkness; so Mithrobarzanes led the way, and I followed holding on to him, until we reached a great meadow of asphodel, where the shades of the dead, with their thin voices, came flitting round us. Working gradually on, we reached the court of Minos; he was sitting on a high throne, with the Poenae, Avengers, and Erinyes standing at the sides. From another direction was being brought a long row of persons chained together; I heard that they were adulterers, procurers, publicans, sycophants, informers, and all the filth that pollutes the stream of life. Separate from them came the rich and usurers, pale, pot-bellied, and gouty, each with a hundredweight of spiked collar upon him. There we stood looking at the proceedings and listening to the pleas they put in; their accusers were orators of a strange and novel species.
Phi. Who, in God’s name? shrink not; let me know all.
Me. It has not escaped your observation that the sun projects certain shadows of our bodies on the ground.
Phi. How should it have?
Me. These, when we die, are the prosecutors and witnesses who bring home to us our conduct on earth; their constant attendance and absolute attachment to our persons secures them high credit in the witness-box.
Well, Minos carefully examined each prisoner, and sent him off to the place of the wicked to receive punishment proportionate to his transgressions. He was especially severe upon those who, puffed up with wealth and authority, were expecting an almost reverential treatment; he could not away with their ephemeral presumption and superciliousness, their failure to realize the mortality of themselves and their fortunes. Stripped of all that made them glorious, of wealth and birth and power, there they stood naked and downcast, reconstructing their worldly blessedness in their minds like a dream that is gone; the spectacle was meat and drink to me; any that I knew by sight I would come quietly up to, and remind him of his state up here; what a spirit had his been, when morning crowds lined his hall, expectant of his coming, being jostled or thrust out by lacqueys! at last my lord Sun would dawn upon them, in purple or gold or rainbow hues, not unconscious of the bliss he shed upon those who approached, if he let them kiss his breast or his hand. These reminders seemed to annoy them.
Minos, however, did allow his decision to be influenced in one case. Dionysius of Syracuse was accused by Dion of many unholy deeds, and damning evidence was produced by his shadow; he was on the point of being chained to the Chimera, when Aristippus of Cyrene, whose name and influence are great below, got him off on the ground of his constant generosity as a patron of literature.
We left the court at last, and came to the place of punishment. Many a piteous sight and sound was there—cracking of whips, shrieks of the burning, rack and gibbet and wheel; Chimera tearing, Cerberus devouring; all tortured together, kings and slaves, governors and paupers, rich and beggars, and all repenting their sins. A few of them, the lately dead, we recognized. These would turn away and shrink from observation; or if they met our eyes, it would be with a slavish cringing glance—how different from the arrogance and contempt that had marked them in life! The poor were allowed half-time in their tortures, respite and punishment alternating. Those with whom legend is so busy I saw with my eyes—Ixion, Sisyphus, the Phrygian Tantalus in all his misery, and the giant Tityus—how vast, his bulk covering a whole field!
Leaving these, we entered the Acherusian plain, and there found the demi-gods, men and women both, and the common dead, dwelling in their nations and tribes, some of them ancient and mouldering, ‘strengthless heads,’ as Homer has it, others fresh, with substance yet in them, Egyptians chiefly, these—so long last their embalming drugs. But to know one from another was no easy task; all are so like when the bones are bared; yet with pains and long scrutiny we could make them out. They lay pell-mell in undistinguished heaps, with none of their earthly beauties left. With all those anatomies piled together as like as could be, eyes glaring ghastly and vacant, teeth gleaming bare, I knew not how to tell Thersites from Nireus the beauty, beggar Irus from the Phaeacian king, or cook Pyrrhias from Agamemnon’s self. Their ancient marks were gone, and their bones alike—uncertain, unlabelled, indistinguishable.
When I saw all this, the life of man came before me under the likeness of a great pageant, arranged and marshalled by Chance, who distributed infinitely varied costumes to the performers. She would take one and array him like a king, with tiara, bodyguard, and crown complete; another she dressed like a slave; one was adorned with beauty, another got up as a ridiculous hunchback; there must be all kinds in the show. Often before the procession was over she made individuals exchange characters; they could not be allowed to keep the same to the end; Croesus must double parts and appear as slave and captive; Maeandrius, starting as slave, would take over Polycrates’s despotism, and be allowed to keep his new clothes for a little while. And when the procession is done, every one disrobes, gives up his character with his body, and appears, as he originally was, just like his neighbour. Some, when Chance comes round collecting the properties, are silly enough to sulk and protest, as though they were being robbed of their own instead of only returning loans. You know the kind of thing on the stage—tragic actors shifting as the play requires from Creon to Priam, from Priam to Agamemnon; the same man, very likely, whom you saw just now in all the majesty of Cecrops or Erechtheus, treads the boards next as a slave, because the author tells him to. The play over, each of them throws off his gold-spangled robe and his mask, descends from the buskin’s height, and moves a mean ordinary creature; his name is not now Agamemnon son of Atreus or Creon son of Menoeceus, but Polus son of Charicles of Sunium or Satyrus son of Theogiton of Marathon. Such is the condition of mankind, or so that sight presented it to me.