I had hidden myself, and was keeping motionless, in order to see the very shy owners of a nest I had found, when the lonely mosquito came as far as the rim of my shade hat, and hovered there, evidently meditating an attack—a mosquito hesitating! I could not stir a hand, or even shake my leafy twig; but it did not require such violent measures; a light puff of breath this side or that was enough to discourage the gentle creature, and in all the hours I sat there it never once came any nearer. The race increased, however, and became rather troublesome on the veranda after tea; but in the grove they were never annoying; I rarely saw half a dozen. When I remember the tortures endured in the dear old woods of the East, in spite of "lollicopop" and pennyroyal, and other horrors with which I have tried to repel them, I could almost decide to live and die in Colorado.
The morning bird chorus in the cottonwood grove where I spent my June was a great shock to me. If my tent had been pitched near the broad plains in which the meadow-lark delights, I might have wakened to the glorious song of this bird of the West. It is not a chorus, indeed, for one rarely hears more than a single performer, but it is a solo that fully makes up for want of numbers, and amply satisfies the lover of bird music, so strong, so sweet, so moving are his notes.
But on my first morning in the grove, what was my dismay—I may almost say despair—to find that the Western wood-pewee led the matins! Now, this bird has a peculiar voice. It is loud, pervasive, and in quality of tone not unlike our Eastern phœbe, lacking entirely the sweet plaintiveness of our wood-pewee. A pewee chorus is a droll and dismal affair. The poor things do their best, no doubt, and they cannot prevent the pessimistic effect it has upon us. It is rhythmic, but not in the least musical, and it has a weird power over the listener. This morning hymn does not say, as does the robin's, that life is cheerful, that another glorious day is dawning. It says, "Rest is over; another day of toil is here; come to work." It is monotonous as a frog chorus, but there is a merry thrill in the notes of the amphibian which are entirely wanting in the song. If it were not for the light-hearted tremolo of the chewink thrown in now and then, and the loud, cheery ditty of the summer yellow-bird, who begins soon after the pewee, one would be almost superstitious about so unnatural a greeting to the new day. The evening call of the bird is different. He will sit far up on a dead twig of an old pine-tree, and utter a series of four notes, something like "do, mi, mi, do," repeating them without pausing till it is too dark to see him, all the time getting lower, sadder, more deliberate, till one feels like running out and committing suicide or annihilating the bird of ill-omen.
I felt myself a stranger indeed when I reached this pleasant spot, and found that even the birds were unfamiliar. No robin or bluebird greeted me on my arrival; no cheerful song-sparrow tuned his little pipe for my benefit; no phœbe shouted the beloved name from the peak of the barn. Everything was strange. One accustomed to the birds of our Eastern States can hardly conceive of the country without robins in plenty; but in this unnatural corner of Uncle Sam's dominion I found but one pair.
The most common song from morning till night was that of the summer yellow-bird, or yellow warbler. It was not the delicate little strain we are accustomed to hear from this bird, but a loud, clear carol, equal in volume to the notes of our robin. These three birds, with the addition of a vireo or two, were our main dependence for daily music, though we were favored occasionally by others. Now the Arkansas goldfinch uttered his sweet notes from the thick foliage of the cottonwood-trees; then the charming aria of the catbird came softly from the tangle of rose and other bushes; the black-headed grosbeak now and then saluted us from the top of a pine-tree; and rarely, too rarely, alas! a passing meadow-lark filled all the grove with his wonderful song.
And there was the wren! He interested me from the first; for a wren is a bird of individuality always, and his voice reminded me, in a feeble way, of the witching notes of the winter wren, the
"Brown wren from out whose swelling throat
Unstinted joys of music float."
This bird was the house wren, the humblest member of his musical family; but there was in his simple melody the wren quality, suggestive of the thrilling performances of his more gifted relatives; and I found it and him very pleasing.
The chosen place for his vocal display was a pile of brush beside a closed-up little cottage, and I suspected him of having designs upon that two-roomed mansion for nesting purposes. After hopping all about the loose sticks, delivering his bit of an aria a dozen times or more, in a most rapturous way, he would suddenly dive into certain secret passages among the dead branches, when he was instantly lost to sight. Then, in a few seconds, a close watcher might sometimes see him pass like a shadow, under the cottage, which stood up on corner posts, dart out the farther side, and fly at once to the eaves.
One day I was drawn from the house by a low and oft-repeated cry, like "Hear, hear, hear!" It was emphatic and imperative, as if some unfortunate little body had the business of the world on his shoulders, and could not get it done to his mind. I carefully approached the disturbed voice, and was surprised to find it belonged to the wren, who was so disconcerted at sight of me, that I concluded this particular sort of utterance must be for the benefit of his family alone. Later, that kind of talk, his lord-and-master style as I supposed, was the most common sound I heard from him, and not near the cottage and the brush heap, but across the brook. I thought that perhaps I had displeased him by too close surveillance, and he had set up housekeeping out of my reach. Across the brook I could not go, for between "our side" and the other raged a feud, which had culminated in torn-up bridges and barbed wire protections.