[366]. I.e., the “giants” of the great frieze, who were in fact Galatians playing the part. This Gigantomachia, a programme-work like the Ring, represented a situation, as the Ring represented characters, under mythological labels.—Tr.

[367]. See Vol. II, pp. 138 et seq.

[368]. See pp. 197 et seq.

[369]. See pp. 55 et seq.

[370]. See p. [126].

[371]. Primitive languages afford no foundations for abstract ordered thought. But at the beginning of every Culture an inner change takes place in the language that makes it adequate for carrying the highest symbolic tasks of the ensuing cultural development. Thus it was simultaneously with the Romanesque style that English and German arose out of the Teutonic languages of the Frankish period, and French, Italian and Spanish out of the “lingua rustica” of the old Roman provinces—languages of identical metaphysical content though so dissimilar in origin.

[372]. See p. [262].

[373]. See p. [172].

[374]. That is, discussion of the doctrines of the Eleatic school regarding unity and plurality, the Ent and Nonent, focussed themselves, in Zeno, down to the famous paradoxes concerning the nature of motion (such as “Achilles and the Tortoise”) which within the Greek discipline were unanswerable. Their general effect was to show that motion depended upon the existence of an indefinitely great plurality, that is, of infinitely small subdivisions as well as infinitely great quantities, and, the denial of this plurality being the essential feature of the Eleatic philosophy, its application to motion was bound to produce “paradoxes.”

The enunciations, with a brief but close critique, will be found in the Ency. Brit., XI ed., Article Zeno of Elea. Here it suffices to draw attention to the difficulties that are caused by the absence (or unwelcome presence) of time and direction elements, not only in the treatment of plurality itself (which is conceived of indifferently as an augmentation or as a subdivision of the finite magnitude) but especially in the conclusion of the “arrow” paradox and in the very obscure enunciation of Paradox 8.—Tr.