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[ Hiller, Wöch. Nachr., 1770, p. 331. Schelle, N. Ztschr. f. Mus., LVII., and LVIII., p. 119.]
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[ According to Castil-Blaze (L'Opéra Italien, p. 144), the operas produced by the Bouffons were, "La Serva Padrona," by Pergolese; "ü Giocatore," by Orlandini: "ü Maestro di Musica," by Al. Scarlatti; "La Finta Cameri'era," by Atella; "La Donna Superba," by Rinaldo da Capua; "La Scaltra Gover-natrice," by Cocchi; "ü Cinese Rimpatriato," by Selletti; "La Zingara" by Rinaldo da Capua; "Gli Artigiani Arrichiti," by Ladlla; "II. Paratajo" by Jomelli; "Bertoldo in Corte," by Ciampi; "I Viaggiatori," by Leo.]
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[ The Italian opera was conducted from the pianoforte only, while in the French opera time was beaten audibly with a stick. Cf. Grétry, Mém., I.p. 39.]
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[ The heads of the parties had their regular places below the box of the King and Queen.]
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[ It was republished (Corr. Litt., XV., p. 315,) and translated into German (N. Ztschr. f. Mus., IV., p. 63, where it is wrongly ascribed to Rousseau). Grimm speaks of its extraordinary success to Gottsched, and Frau Gottsched speaks of an imitation of it directed against Weisse's operetta, "Der Teufel ist los" (Danzel Gottsched, p. 350).]