36 ([return])
[ This criticism belongs to the toccata rather than to the sonata; it is marked prestissimo, and is a brilliant study of passages in thirds and fourths.]
37 ([return])
[ The account which follows is founded on an accurate account of Joseph's chamber concerts (Musik. Corresp., 1790, p. 27).]
38 ([return])
[ Mosel, Salieri, p. 22.]
39 ([return])
[ Mosel, Ibid., p. 71.]
40 ([return])
[ A. M. Z., XXIV., p. 285.]