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[ "Deceit and flattery were alike foreign to his artless character," says Niemetschek (p. 96), "and any restraint upon his intellect was insupportable to him. Free and unreserved in his expressions and answers, he frequently wounded the susceptibilities of self-love, and made many enemies." An article upon him after his death contains the following passage (Reichardt, Musik. Wochenbl., p. 94): "Now that he is dead, the Viennese will know what they have lost in him. During his life he was much harassed by cabals, whose hostility he sometimes provoked by his sans-souci manner.">[
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[ Blumauer, who mentions this characteristic in his observations on the culture and literature of Austria, asserts that within eighteen months 1,172 publications of this kind appeared at Vienna (Pros. Schr., I., p. 72).]
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[ Prutz, Deutsch. Museum, II., p. 28.]
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[ The few opera scores found among Mozart's remains are Gluck's "Arbre Enchanté," "Le Diable ä Quatre," Grétry's "Zemire et Azor," "Bamevelt," Mich. Haydn's "Endimione.">[
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[ Rochlitz, A. M. Z., I., p. 116. Cf. Siever's Mozart u. Süssmayer, p. 22.]