49 ([return])
[ A. M. Z., üI., p. 450.]
50 ([return])
[ I will only mention the three-part comic or "schoolmaster" mass which goes under Mozart's and also under Haydn's name; Carpani asserts (Le Haydine, p. 112) that it is by Aumann, an Augustine monk of St. Florian, and a learned musician. He also says that it was formerly customary in Vienna to perform this kind of comic music on St. Cecilia's Day, at musical parties.]
51 ([return])
[ An anonymous quartet "for people who know their notes, and who, without moving their fingers, only move their bows up and down the open strings," published with the title "Neugebornes musikalisches Gleichheitskind" (Prague: Haas), and ascribed to Mozart by the Breslauer Zeitung (1855 No. 170, p. 1090), with a very unlikely anecdote, is but a dull affair.]
52 ([return])
[ Reissmann, Das deutsche Lied in seiner histor. entwickelung, p. 77. K. E. Schneider, Das musikalische Lied in geschichtl. Entwickelung, III., p. 195.]
53 ([return])
[ Sacred songs do not come within the scope of this observation.]