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[ Rochlitz, A. M. Z., III., p. 230; cf. XXVII., p. 447. The parts of the Mass are made use of in the following manner:—[See Page Image]
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[ Reichardt criticises favourably on the whole a cantata composed of the last numbers (8, 9, zo) of the oratorio arranged by Hiller (Musik. Zeitg., I., p. 368; cf. 382); another cantata borrowed from it is mentioned (A. M. Z., IX., p. 479).]
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[ Gerber's assertion in the Tonkünstlerlexicon, I., p. 976: "Lucky for him that he was moulded into perfect form while still young by the pleasing and playful muses of Vienna; otherwise he could hardly have escaped the fate of Friedemann Bach, whose soaring flight could be followed by few mortals," is only half true, for Mozart's deepest studies were made not in Salzburg, but in Vienna.]
FOOTNOTES OF CHAPTER XXXI.
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[ The initiated will see at once that an outsider is speaking, and that the expressions used are on that account additionally cautious.]