35 ([return])
[ A. M. Z., III., p. 27.]
36 ([return])
[ Journal des Luxus und der Moden, 1788, p. 230.]
37 ([return])
[ Forkel, who otherwise takes no notice of Mozart, says of this article that it is evident that the author is a dilettante, without any knowledge of art, and therefore only capable of judging from outward appearances (Musik. Alman., 1789, p. 119).]
38 ([return])
[ A second quintet for piano, oboe, clarinet, basset-horn, and bassoon, was only commenced by Mozart (54 Anh., K.).]
39 ([return])
[ A kind of legend has grown up among reminiscence hunters, to the effect that the few and unimportant motifs which recall Mozart, especially in the second movement, were introduced by Beethoven as a homage to Mozart. A comparison of the two quintets is given after his fashion by Lenz (Beethoven, III., p. 160).]