Difficult as Mozart's position was rendered by the displeasure of his father and the ill-temper of Frau Weber, his beloved Constanze herself did not always improve matters; the violence of her feelings sometimes put his constancy to the trial, and added to his perplexities. The lovers' quarrels soon blew over, but Mozart's position became daily more insupportable as his affairs became known and talked of. Even the Emperor, who felt a warm interest in the family affairs of the artists who had access to him,[ 7 ] had expressed himself graciously as to Mozart's marriage when the latter played before him with Clementi; his condescension raised hopes which were not destined to be fulfilled.
When the success of his opera had directed public attention towards him, the curiosity as to his relations with Constanze became still more general. "What are we to do?" he writes mournfully to his father (July 27, 1782). "Most people believe that we are married already: the mother is wild about it, and the poor girl and myself are tormented to death." The earnest tone of mind in which he passed through this time of trial is illustrated in a later letter to his father (August 17, 1782), where he says that he has long since heard mass and confessed with Constanze, "and I found that I never prayed so heartily or confessed and communicated so devoutly as by her side. She felt the same, and it would really seem that we are made for each other, and that God, who orders all things, has ordained our union also, and will not forsake us."
At this juncture a distinguished musical patroness espoused the cause of the lovers. The Baroness von Waldstädten, famous as a clavier-player as early as the year 1766,[ 8 ] was one of the ladies who had taken Mozart under their protection from his first arrival, and interesting herself, womanlike, as much in his affairs of the heart as in his musical performances, she sought by every means in her power to bring his relations with Constanze to a happy
FRIENDSHIP OF THE BARONESS V. WALDSTÄDTEN
conclusion. In order to withdraw Constanze from the tyranny of her mother, and to facilitate Wolfgang's intercourse with his betrothed, she took the latter more than once for a considerable time into her own house in the Leopold Strasse. There were, indeed, reasons which rendered this intimacy undesirable. The Baroness had led an unhappy life, and sought to indemnify herself for it by indulgence in the frivolous habits then only too frequent among the higher ranks of society; her reputation was not of the best. Mozart knew this, as all Vienna knew it; he had reason to dread the influence of such a friendship for Constanze, but he was convinced that the Baroness meant well by them both, and he felt that he had no resource but to accept her help, and to be very grateful for it. But Constanze's mother had at least some show of right in forbidding her daughter to continue in communication with the Baroness, and, fearful lest she should be taken altogether out of her power, she endeavoured to force her to return home. An undated letter, addressed in great tribulation to the Baroness, gives us full insight into Mozart's trying circumstances:—
Most honoured Baroness,—I received my music by the hands of Madame Weber's maid, and was obliged to give a written receipt for it. The servant confided to me what, if true, is a lasting disgrace to the whole family; I can only believe it from my knowledge of Madame Weber's character, and it afflicts me greatly. Sophie had come out weeping, and when her maid asked her the cause of her tears, she said: "Tell Mozart in secret that Constanze had better return home, for my mother insists upon sending the police for her." But surely the police would not dare thus to enter any house. Perhaps it is only a ruse to get her home again. If this threat is really fulfilled, I see nothing for it but to marry my Constanze early to-morrow, or, if it can be done, to-day; for I would not allow of this affront to my beloved, and it could not happen to my wife. Another thing: Thorwarth was appointed to his place to-day. I beg your ladyship to give me your kind advice, and to render us poor creatures all the assistance you can. I am always at home. In the greatest haste. Constanze knows nothing of all this. Has Herr von Thorwarth waited on your ladyship already? Is it necessary that we should both go to him after dinner to-day?
Under these circumstances Mozart was ready to espouse his Constanze without a moment's delay; he reiterates his entreaties for his father's consent (July 31, 1782):—
You will have received my last letter by this time, and I have no doubt that your next will bring your consent to our union. You can have nothing really to object to in it, and your letters show that you have not; for she is a good honest girl, and I am in a position to provide her with bread. We love each other and wish for each other, so there is no reason for delay.