The man who spoke was called Phratos.
He was not like his tribe in anything: except in a mutual love for a life that wandered always, and was to no man responsible, and needed no roof-tree, and wanted no settled habitation, but preferred to dwell wild with the roe and the cony, and to be hungry and unclad, rather than to eat the good things of the earth in submission and in durance.
He had not their physical perfection: an accident at his birth had made his spine misshapen, and his gait halting. His features would have been grotesque in their ugliness, except for the sweet pathos of the eyes and the gay archness of the mouth.
Among a race noted for its singular beauty of face and form, Phratos alone was deformed and unlovely; and yet both deformity and unloveliness were in a way poetic and uncommon; and in his rough sheepskin garments, knotted to his waist with a leathern thong, and with his thick tangled hair falling down on his shoulders, they were rather the deformity of the brake-haunting faun, the unloveliness of the moon-dancing satyr, than those of a man and a vagrant. With the likeness he had the temper of the old dead gods of the forests and rivers, he loved music, and could make it, in all its innumerable sighs and songs, give a voice to all creatures and things of the world, of the waters and the woodlands; and for many things he was sorrowful continually, and for other things he forever laughed and was glad.
Though he was misshapen, and even, as some said, not altogether straight in his wits, yet his kin honored him.
For he could draw music from the rude strings of his old viol that surpassed their own melodies as far as the shining of the sun on the summits of the Europa surpassed the trembling of the little lamps under the painted roadside Cavaries.
He was only a gypsy; he only played as the fancy moved him, by a bright fountain at a noonday halt, under the ruined arches of a Saracenic temple, before the tawny gleam of a vast dim plain at sunrise; in a cool shadowy court where the vines shut out all light; beneath a balcony at night, when the moonbeams gleamed on some fair unknown face, thrust for a moment from the darkness through the white magnolia flowers. Yet he played in suchwise as makes women weep, and holds children and dogs still to listen, and moves grown men to shade their eyes with their hands, and think of old dead times, when they played and prayed at their mothers' knees.
And his music had so spoken to himself that, although true to his tribe and all their traditions, loving the vagrant life in the open air, and being incapable of pursuing any other, he yet neither stole nor slew, neither tricked nor lied, but found his way vaguely to honesty and candor, and, having found them, clove to them, so that none could turn him; living on such scant gains as were thrown to him for his music from balconies and posada windows and winehouse doors in the hamlets and towns through which he passed, and making a handful of pulse and a slice of melon, a couch of leaves and a draught of water, suffice to him for his few and simple wants.
His people reproached him, indeed, with demeaning their race by taking payment in lieu of making thefts; and they mocked him often, and taunted him, though in a manner they all loved him,—the reckless and blood-stained Taric most, perhaps, of all. But he would never quarrel with them, neither would he give over his strange ways which so incensed them, and with time they saw that Phratos was a gifted fool, who, like other mad simple creatures, had best be left to go on his own way unmolested and without contradiction.
If, too, they had driven him from their midst, they would have missed his music sorely; that music which awoke them at break of day soaring up through their roof of chestnut leaves like a lark's song piercing the skies.