About the beginning of the twelfth century, by which time the Provencal tongue had become settled and somewhat polished, literature in France first began to find a voice in the songs of the Troubadours, the poets of the South. It is instructive to note that it was the home of the Albigensian heresy, the land that had felt the influence of every Mediterranean civilization, that was also the home of the Troubadour literature. The Counts of Toulouse, the protectors of the heretics, were also the patrons of the poets. The same fierce persecution that uprooted the heretical faith of the Albigenses, also stilled the song of the Troubadours (see p. 493).
The verses of the Troubadours were sung in every land, and to the stimulating influence of their musical harmonies the early poetry of almost every people of Europe is largely indebted.
THE TROUVEURS.—These were the poets of Northern France, who composed in the Langue d' Oil, or Old French tongue. They flourished during the twelfth and thirteenth centuries. While the compositions of the Troubadours were almost exclusively lyrical songs, those of the Trouveurs were epic, or narrative poems, called romances. They gather about three great names,—King Arthur, Alexander the Great, and Charlemagne. It will be noted that the poet story-tellers thus drew their material from the heroic legends of all the different races that blended to form the French nation, namely, the Celtic, the Græco-Roman, and the Teutonic.
The influence of these French romances upon the springing literatures of Europe was most inspiring and helpful. Nor has their influence yet ceased. Thus in English literature, not only did Chaucer and Spenser and all the early island-poets draw inspiration from these fountains of continental song, but the later Tennyson, in his Idylls of the King, has illustrated the power over the imagination yet possessed by the Arthurian poems of the old Trouveurs.
FROISSART'S CHRONICLES.—The first really noted prose writer in French literature was Froissart (1337-1410), whose entertaining credulity and artlessness, and skill as a story-teller, have won for him the title of the French Herodotus. Born, as he was, only a little after the opening of the Hundred Years' War, and knowing personally many of the actors in that struggle, it was fitting that he should become, as he did, the annalist of those stirring times.
3. SPAIN.
The Beginnings of Spain.—When, in the eighth century, the Saracens swept like a wave over Spain, the mountains of Asturia, in the northwest corner of the peninsula, afforded a refuge for the most resolute of the Christian chiefs who refused to submit their necks to the Moslem yoke. These brave and hardy warriors not only successfully defended the hilly districts that formed their retreat, but gradually pushed back the invaders, and regained control of a portion of the fields and cities that had been lost. This work of reconquest was greatly furthered by Charlemagne, who, it will be recalled, drove the Saracens out of all the northeastern portion of the country as far south as the Ebro, and made the subjugated district a province of his great empire, under the name of the Spanish March.
By the opening of the eleventh century several little Christian states, among which we must notice the names of Castile and Aragon, because of the prominent part they were to play in later history, had been established upon the ground thus recovered or always maintained. Castile was at first simply "a line of castles" against the Moors, whence its name.
UNION OF CASTILE AND ARAGON (1479).—For several centuries the princes of the little states to which we have referred kept up an incessant warfare with their Mohammedan neighbors; owing however to dissensions among themselves, they were unable to combine in any effective way for the reconquest of their ancient possessions. But the marriage, in 1469, of Ferdinand, prince of Aragon, to Isabella, princess of Castile, paved the way for the union a little later of these two leading states. Thus the quarrels of these rival principalities were composed, and they were now free to employ their united strength in effecting what the Christian princes amidst all their contentions had never lost sight of,—the expulsion of the Moors from the peninsula.
[Illustration: THE SPANISH KINGDOMS 1800.]