General History for Colleges and High Schools

by P. V. N. Myers

3. Literature of the Restoration.

IT REFLECTS THE IMMORALITY OF THE AGE.—The reigns of the restored Stuarts mark the most corrupt period in the history of English society. The low standard of morals, and the general prodigacy in manners, especially among the higher classes, are in part attributable to the demoralizing example of a shockingly licentious and shameless court; but in a larger measure, perhaps, should be viewed as the natural reaction from the over-stern, repellent Puritanism of the preceding period. The Puritans undoubtedly erred in their indiscriminate and wholesale denunciation of all forms of harmless amusement and innocent pleasure. They not only rebuked gaming, drinking, and profanity, and stopped bear-baiting, but they closed all the theatres, forbade the Maypole dances of the people, condemned as paganish the observance of Christmas, frowned upon sculpture as idolatrous and indecent, and considered any bright color in dress as utterly incompatible with a proper sense of the seriousness of life.

Now all this was laying too heavy a burden upon human nature. The revolt and reaction came, as come they must. Upon the Restoration, society swung to the opposite extreme. In place of the solemn-visaged, psalm-singing Roundhead, we have the gay, roistering Cavalier. Faith gives place to infidelity, sobriety to drunkenness, purity to profligacy, economy to extravagance, Bible-study, psalm-singing and exhorting to theatre-going, profanity, and carousing.

The literature of the age is a perfect record of this revolt against the "sour severity" of Puritanism, and a faithful reflection of the unblushing immorality of the times.

The book most read and praised by Charles II, and his court, and the one that best represents the spirit of the victorious party, is the satirical poem of Hudibras by Samuel Butler. The object of the work is to satirize the cant and excesses of Puritanism, just as the Don Quixote of Cervantes burlesques the extravagances and follies of Chivalry.

So immoral and indecent are the works of the writers for the stage of this period that they have acquired the designation of "the corrupt dramatists." Among the authors of this species of literature was the poet Dryden.

IV. THE ORANGE-STUARTS.

1. Reign of William and Mary (1689-1702).

THE BILL OF RIGHTS.—The Revolution of 1688, and the new settlement of the crown upon William and Mary, marks an epoch in the constitutional history of England. It settled forever the long dispute between king and Parliament—and settled it in favor of the latter. The Bill of Rights,— the articles of the Declaration of Rights (see p. 624) framed into a law, —which was one of the earliest acts of the first Parliament under William and Mary, in effect "transferred sovereignty from the king to the House of Commons." It asserted plainly that the kings of England derive their right and title to rule, not from the accident of birth, but from the will of the people, and declared that Parliament might depose any king, exclude his heirs from the throne, and settle the crown anew in another family. This uprooted thoroughly the pernicious doctrine that princes have a divine and inalienable right to the throne of their ancestors, and when once seated on that throne rule simply as the vicegerents of God, above all human censure and control. We shall hear but little more in England of this monstrous theory, which for so long a time overshadowed and threatened the freedom of the English people.

Mindful of Charles's attempt to reestablish the Roman Catholic worship, the framers of this same famous Bill of Rights further declared that all persons holding communion with the Church of Rome or uniting in marriage with a Roman Catholic, should be "forever incapable to possess, inherit, or enjoy the crown and government of the realm." Since the Revolution of 1688 no one of that faith has worn the English crown.