But there, there they are, with their Lord.

I had a brief letter from Salai today. If he had remained, we would have made our bicycle.

Tomorrow, I...

On my birthday, my friends, Father Luco Pacioli, Phillip, Donato Bramante, Abbaco Alberti, Peter, Francesco, John, Toscanelli, Andrea, Luini, Credi, friars, priests and many artists, gathered at the Grazie, and we burned lamps and can­dles for the first showing of The Last Supper. Standing on a bench, Father Luco said:

“Milan is indebted to our Leo...to him and Il Moro and the prior and his people. We have watched the fresco come to life. For three years we’ve seen it move along. It has meant something special to each one of us. It is Leonardo da Vinci’s miracle. A symbol of man’s desire for a better life.”

How well I remember those words!

In Milan, my Salvator Mundi attracted crowds when it was exhibited in my studio. King Louis had expressed his public approval of the painting and the curious had to be satisfied. Since General de Galen had come to Milan to deliver the painting to the King, I asked his protection. Onlookers came out of the alleys as well as the palace. Alley folk jeered. They shouted “Christ the Juggler;” they called Him “El Puto”...“the glassy-eyed Gascon.”

Riffraff threw mud and garbage.